Second Unit Director
Четыре года из жизни Джули — молодой женщины, чьи попытки разобраться в личной и профессиональной сфере приводят ее к осознанию, кто она такая на самом деле.
Casting
The charismatic young entrepreneur Waleed Ahmed started his own company at age 18, and was referred to as "The Norwegian Mark Zuckerberg". He quickly gained access to politicians, diplomats, and royalty. His short-lived and grandiose career ended with an arrest by the FBI and an 11-year prison sentence for fraud. This portrait tells a larger narrative of belonging, identity, fraud, and dreams.
Writer
The charismatic young entrepreneur Waleed Ahmed started his own company at age 18, and was referred to as "The Norwegian Mark Zuckerberg". He quickly gained access to politicians, diplomats, and royalty. His short-lived and grandiose career ended with an arrest by the FBI and an 11-year prison sentence for fraud. This portrait tells a larger narrative of belonging, identity, fraud, and dreams.
Director
The charismatic young entrepreneur Waleed Ahmed started his own company at age 18, and was referred to as "The Norwegian Mark Zuckerberg". He quickly gained access to politicians, diplomats, and royalty. His short-lived and grandiose career ended with an arrest by the FBI and an 11-year prison sentence for fraud. This portrait tells a larger narrative of belonging, identity, fraud, and dreams.
Director
At the age of 20, Ahmed Wahleed covered all the front pages of Norway’s newspapers with the news of having invented a mobile battery that could be charged with sunlight. Brilliant! Just what the world needed. But the world also needed a really good story about a young man with Pakistani origins, who broke through as a tech entrepreneur and was now hailed as Norway’s Mark Zuckerberg. Journalists, ministers, and even the Norwegian Crown Prince were lining up to meet the charismatic Ahmed, who was the star of TV shows. All of this is only the beginning of Emil Trier’s film about hype, illusions and easy money with a high interest rate. We will reveal more in advance, but in Trier’s masterly unravelling, the incredible robbery story becomes proof that reality can sometimes surpass fiction both in terms of twists and tragedies. But ‘Trust Me’ is also a psychologically astute film for a time when the hustler can quickly become king.
Director
This engrossing documentary follows the much-acclaimed Norwegian writer Karl Ove Knausgaard as he is invited to guest-curate an exhibition of paintings by Edvard Munch at Oslo’s Munch Museum. Co-director Joachim Trier appears onscreen alongside Knausgaard as they visit several key locations from the celebrated painter’s life, searching for insights into his imagination and vision as they discuss his vastly influential oeuvre, his themes and obsessions, his approach to rendering everyday things and strongly emotional scenes alike. Knausgaard’s interpretation of Munch proves to be captivatingly unorthodox, and the Trier brothers thrillingly seek to connect his thoughts about the painter to his own literary project, yielding a double portrait of two of Norway’s most essential artists. (Film Society of Lincoln Center)
Writer
Former childhood friends Christian and Erland, now in their late 20s, are confronted with their own adolescence as they go searching for Christian's estranged little brother in a scene they're not familiar with - contemporary youth culture.
Director
Former childhood friends Christian and Erland, now in their late 20s, are confronted with their own adolescence as they go searching for Christian's estranged little brother in a scene they're not familiar with - contemporary youth culture.
Second Assistant Director
Андерс завершает курс дезинтоксикации в лечебном центре, расположенном в сельской местности. В рамках терапии он получает разрешение отправиться в город на профессиональное собеседование. Воспользовавшись «увольнительной», он остается в городе, блуждает по улицам, встречает людей, которых давно не видел. Андерсу 34 года, это — умный и приятный молодой человек из хорошей семьи. Его мучают воспоминания об упущенных возможностях и людях, которых он разочаровал. Он все еще молод, но чувствует, что его жизнь окончена. Вечереет, впереди Андерса ждет долгая ночь: ошибки прошлого порождают мысли о возможности любви и новой жизни, надежду на то, что до утра есть еще шанс представить себе будущее…
Casting Assistant
Андерс завершает курс дезинтоксикации в лечебном центре, расположенном в сельской местности. В рамках терапии он получает разрешение отправиться в город на профессиональное собеседование. Воспользовавшись «увольнительной», он остается в городе, блуждает по улицам, встречает людей, которых давно не видел. Андерсу 34 года, это — умный и приятный молодой человек из хорошей семьи. Его мучают воспоминания об упущенных возможностях и людях, которых он разочаровал. Он все еще молод, но чувствует, что его жизнь окончена. Вечереет, впереди Андерса ждет долгая ночь: ошибки прошлого порождают мысли о возможности любви и новой жизни, надежду на то, что до утра есть еще шанс представить себе будущее…
Writer
Norway is per capita one of the world's biggest producers of weapons and ammunition. The Norwegian Solution gives us a rare look into the ammunition's factory Nammo, situated in the idyllic surroundings of Raufoss, in the middle of the country.
Director
Norway is per capita one of the world's biggest producers of weapons and ammunition. The Norwegian Solution gives us a rare look into the ammunition's factory Nammo, situated in the idyllic surroundings of Raufoss, in the middle of the country.
Producer
From 1978 to 1989 skateboarding was illegal in Norway, as the only country in the world it was not legal to sell, buy or use skateboard in this period. The film follows two generations of skaters - from the underground culture in the late 70s, with skating on secret locations in the forest around Oslo, to the commercial explosion when skating was legalized in 1989. The film says something about the Norwegian governments overprotective policy, but it also shows the paradox of how the prohibition led to a unique and creative environment.
Director
From 1978 to 1989 skateboarding was illegal in Norway, as the only country in the world it was not legal to sell, buy or use skateboard in this period. The film follows two generations of skaters - from the underground culture in the late 70s, with skating on secret locations in the forest around Oslo, to the commercial explosion when skating was legalized in 1989. The film says something about the Norwegian governments overprotective policy, but it also shows the paradox of how the prohibition led to a unique and creative environment.
