Olli Huhtanen

Once Upon a Time in a Forest is a film about brave young people who are defending one of the last coniferous forest areas in Europe. It is a morality play and a love story of a younger generation whose main object of love is the Finnish forest. This cinematic documentary explores environmental feelings and witnesses how the 22-year old protagonist Ida grows up to be the leader of the new Forest Movement.

People living in times of global crises, trying to envision how the future is 50 years from now.

Жители Северной Кореи описывают свой опыт просмотра запрещенных иностранных фильмов. Как они представляли себе внешний мир на основе контрабандного кино? Привычные декорации, в которых западные люди подглядывают за повседневной жизнью закрытого государства, на этот раз полностью перевернуты — теперь сами северокорейцы направляют свое любопытство на внешний мир.

What happens when a group of Finns travel to a tiny village in Benin to participate in a vaccination study? By participating, they can aid in the development of a diarrhea vaccine for children in developing countries – and, at the same time, have a different kind of vacation in West Africa. The complicated side of helping people and the clashes between two cultures rise to the forefront of Mia Halme’s delicious documentary film.

Фильм о великом финском архитекторе — и том, что никто не становится великим в одиночку.

Hayflower has started school, where she learns a lot of exciting brand new things. Quiltshoe doesn’t like to stay home without a sister to play with. When Hayflower tells about an upcoming fishing trip with her class, Quiltshoe comes up with a complicated plan, so that it will be Quiltshoe attending the trip instead of Hayflower. The trip evolves into a memorable and chaotic happening,

The romantic landscape paintings often portrayed weather condition, topography of national landscape, religious themes, spirituality of nature and hunting scenes. Blue Honda Civic is a minimalistic road movie mirroring the emotions of the driver through the landscapes (s)he has chosen to look at.

Calling Mother is about the moments when you just have to call your mum. It is a compilation of phone calls made by different people to their mothers. Film follows the lifespan of a human being from youth to adulthood, a child changing from a dependent to a caretaker. Phone calls are connected by images of an old telephone center and a story of a young mother who doesn’t have a mother to call.

Jane, a small-town girl, has moved to Helsinki and the world is finally open for her. Passionate and excited, she seeks adventure, all the things she has yearned for so long. Jane gravitates to a gay bar at night, staggers in her nervous state of mind, and suddenly there, right next to her, Jane finds her savior: Piki, the most dashing butch in town. Piki is perfect. Jane is hypnotized by Piki's dark-toned voice. Piki offers her an entire new universe, and even more - dreams.

Exploring geological epochs and kingdoms of life, Realms voyages through deep time from the primeval ocean to a post-human future. The film employs visual storytelling, seeking to replace the anthropocentric worldview with greater attention to the complex interrelationships and dependencies between organisms, and between animate and inanimate nature.

Ribeira Quente is a fishing village in S. Miguel Island in the Azores facing the last days of a fishing activity as they know it.

A movie about two women who are mothers to the same child, and a child who belongs to two different worlds.

Rousku and Raninen are fleeing their unemployment by setting up a construction company. Occupational illiteracy is not an obstacle and accounting is fine when Rouskun's mate deals with things. The entrepreneurs know that the poor can be, but not artificial. But what's the point for the scratchy women? Especially when Rousku gets to look in the mirror again and find out what kind of father, such a daughter.

Eevi works in a beauty parlor, leading a humdrum life in the suburbs of Helsinki with his husband Kari, a wannabe rocker. After the jackpot, the couple agrees to carry on with their lives as before, without telling anyone about the stroke of luck. But the money is burning holes in their pockets and that’s hard to hide. Their opinions about themselves and their relationship are put to the test. Everyone seems now to have a strange attitude towards them – although they try to pretend to be the same people as before. Do the millions bring happiness after all?

In a bold and original approach to memory, this Lettrist-inspired film maps an anxiety-ridden plane journey from Tokyo to Helsinki without the aid of photographic images. A variety of interventions on the film strip are combined with an atmospheric sound design to create a subjective story of displacement and containment. In an age when experience is increasingly mediated through digital technologies, Taanila seeks out an alternative language in the sensuous surfaces of the celluloid material.

Dramatic comedy about having fun, throwing yourself into life without inhibition, overcoming the feeling of shame and accepting that few things in life go as planned.

A documentary film about Martta Koskinen, the last executed woman in Finland during the war in 1943. Martta was a Seamstress who lived in Helsinki during the Second World War. She was one of the post-civil war (in 1918) generation for whom the war had meant a disappointment in the system and failure in unity of the Finnish nation. The legacy of the civil war had left systems of persecution in place for those with socialist ideals. Martta and her fellow revolutionaries were determined to continue the resistance movement although they knew that at worst it could cost their lives. Martta was imprisoned twice before she was shot. She was an idealist, whose seemingly harmless, naive beliefs in peace and justice were the most dangerous traits a person could have at the time.

Director Saija Mäki-Nevala was born in Kihniö but moved away as soon as it became possible. The village road with few buildings, and faces that were all to familiar to her, wasn’t enough. The real life and the possibilities of achieving dreams seemed to be somewhere else. After 18 years she goes back to look at Kihniö. She observes the ex-home village with feelings between love and foreignness. Is Kihniö more than its inhabitants? Is Kihniö just a name for the roots which we can’t either choose or forget? This observational documentary is a portrait of silent village, but the main role still belongs to its people. They are proud of living in a safe place where they all know each other. The most important goals in life are to have a permanent job and to own a house. When they achieve those things and can have their family around, everything is just fine. You don’t need anything else.

A simple can of ravioli propels this spectacular 30,000-kilometre, eight-country journey through all phases of food production and the far flung sources of international ingredients. A dream-like voyage with glimpses of disconcerting realities, the story begins with a single mother toiling in one of the biggest open pit mines in Brazil and ends on the shelf of a grocery store in Finland. Along the way, the workers whose calloused hands mine, raise and harvest each ingredient reveal their dreams and hopes, like the Danish pig farmer who loves his sows but longs for a girlfriend, and the Portuguese tomato picker who wants to stay healthy long enough to pay her daughters way through university. Sumptuous photography and impressive sound design make an eloquent statement about our modern, globalized world, making us aware of the hundreds of invisible people who prepare the food we eat every day. -Gisèle Gordon (HotDocs.ca)

Finnish men in sauna, speaking straight from the heart.

Sixteen-year-old Tomi trusts no one and does his best to protect his little sister Aino from the dangers of the world. But Aino is changing, fast. Because of his own fear of loneliness, Tomi tries to stop his sister, but he will eventually find out that you cannot control another person by force.

Sixteen-year-old Tomi trusts no one and does his best to protect his little sister Aino from the dangers of the world. But Aino is changing, fast. Because of his own fear of loneliness, Tomi tries to stop his sister, but he will eventually find out that you cannot control another person by force.

A look behind the scenes of the Czech gay porn boom.

Ida is a woman who was adopted to Finland from Africa as a child. Ida is an unemployed seamstress approaching her thirties and still lives at home with her activist mother Kati. Kati wants to fix her daughter's life and offers her a job at her work. Encouraged by her new friend Ville, Ida, however, sets out for Berlin in order to find a job and to prove to her mother that she can manage on her own. Meanwhile, Kati has been told that she is seriously ill, but she does not want to mention it to Ida in fear of standing in the way of her daughter's struggle for independence. Ida wants to have a life of her own, but what will she have left at the end of the day?

11-year-old Unna travels in time to the stone age with the help of a magic drum.

Жены футболистов любительской команды устали от футбола и от того,что их мужья все свободное время проводят не с ними а за любимой игрой. Да и после игры они не могут разойтись и идут в бар обсуждать произошедшее на поле или смотреть матчи профессиональных команд. Жены заключают с мужьями пари. Они предлагают сыграть с ними футбольный матч. Если мужья проигрывают они никогда больше не подойдут к мячу. Мужья соглашаются. Ведь ясно, что они победят 20-0. Но они еще не знают, что тренировать команду Футболисток будет тренер сборной страны по футболу.

Katri and Janne want to make a trip, which none of their friends have made. They end up in Jakomäki.

Finnish Road Movie

Finnish Road Movie

Story of a single mother, released from prison.

Lotat is a Finnish Documentary about the Lotta Svärd, a Finnish voluntary auxiliary paramilitary organization for women.

Finnish movie.

Группа преступников планирует похищение золотого запаса Эстонии ($970 млн.), пятьдесят лет хранившегося в парижском банке. Это событие приурочено к моменту возвращения золота в Таллинн после получения Эстонией независимости.

Reima Elo ends up trying to commit suicide when he is abandoned by his wife Molla. He is also the village's laughing stock due to his communism. At a critical moment, a Lenin lookalike from Russia named Vladimir rescues him.