Anna Kalaitzidou

The citizens of Athens are tormented by insomnia. Rumor has it that after dark an elusive creature is roaming the city streets. The film’s characters will cross its path during one night and for the first time in a while, they’ll go to sleep.

В Афинах разгорается необычная эпидемия, люди внезапно теряют память. Жертвой становится и Арис – его находят на остановке автобуса без документов. В реабилитационном центре Арис узнает, что восстановить память невозможно. Взамен ему предлагают программу по созданию новой личности.

The performance is over, the actors step off the stage, the audience leaves the theater. However,in this case, the end marks the beginning. Eleven spectators star in their own tales, intertwined in a collage crafted by life itself. Restaurant and movie theater owners, immigrants and tourists, regulars and passers-by interact with the urban entourage and the people they come across, weaving a mosaic of endless possibilities.

Two men who live in modern day Athens decide to start the quest for Laura Durand, a porn star of the 90's who has disappeared mysteriously several years ago.

A lonely criminology professor attempts to solve the mystery behind five murders by decoding the puzzle of five Pythagorean theorems, in a crime story that features renowned French actor François Cluzet in a key-role.

Greece nowadays. Seven different stories about seven persons who have already reached their limits and finally fall apart. Despite their seemingly obvious connection they are simultaneously connected through a common desperate action: the last phone call to the psychological support center called "life line". It's their last hope. As no one can really help them, even then, they all remain another part of the contemporary Greek tragedy. Written by Horme Pictures

Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in. The vigilante movie is a well-explored genre too, but Tsemberopoulos gives it a whole new urgency, subverting the cliched right-wing fantasy structure and seeing it through the eyes of a man who comes to find his real self while trying to live up to the (imagined) expectations of others. (Source: LFF programme)

The arrival of children, as seen through the stories of four different couples, just when a pregnancy comes along and conflicts with their lives. A marital crisis becomes a family tragedy; a mad man's gun forces a young couple to reconsider a premature pregnancy; a long struggle of in-vitro fertilizations brings together and forces apart two sterile women who have shared the same man; and a young Iraqi immigrant, all alone in her apartment, is forced to give birth to her child with the help of her Greek stalker and next door neighbor. The stories unfold within a day and collide in a violent and fatal incident.

В доме на окраине города живут мать, отец и трое детей. Дом окружён высоким забором, за который дети никогда не выходили. Они растут, развлекаются, учатся и играют так, как считают нужным их родители, не испытывая никакого влияния со стороны. Они верят, что самолёты, пролетающие над ними, игрушечные, а «зомби» – это название желтого цветочка. Войти в дом из внешнего мира может только Кристина. В компании главы семейства она работает охранником. Её приглашают для того, чтобы сын с её помощью удовлетворял свои сексуальные потребности. Взрослые дети знают главный закон семьи: «нельзя покинуть дом, до тех пор, пока у тебя не выпадет правый клык».

Trying to overcome his childhood injuries, Christos-Raphael resorts to various solutions. He does group self-improvement exercises, buys his favorite car, builds the house of his dreams, with hidden lighting and a bathroom for the guests. But when the right time comes, he understands how he becomes himself, all that he hid so desperately under the carpet for so many years.