Martín Grignaschi

As her Parkinson’s disease progresses, a woman leads a relentless investigation into finding those responsible for the sudden death of her daughter.

An infant disappears from his parents sight in a misterious but haunting forest after a punishment.

Belgrano neighborhood, Buenos Aires, Argentina. Someone is watching Fernando Berlasky from one of the countless windows in front of his apartment and sending him e-mails.

Colegio Nacional de Buenos Aires must elect a new school principal, and the students want to be a part of the decision. The school, in a state of permanent conflict, tries to resolve its disputes while a new wave of feminism percolates through the cracks of the building.

The murder of photographer José Luis Cabezas in the summer of 1997 deeply shakes Argentina, and ends up revealing a mafia scheme in which the political and economic powers appear to be involved.

An enormous Steinway & Sons piano dominates a cramped and untidy apartment in Buenos Aires, belonging to the 91-year-old twin sisters Isabel and Amelia Cavallini. Once they formed a celebrated piano duo with a blossoming career in the United States. Just as the instrument is actually a little too big for their modest residence, the sisters’ personalities no longer seem to fit their now fragile bodies. In this final part of her trilogy on old age and art (preceded by Las cinéphilas and Le temps perdu), María Alvarez follows these elderly ladies as they shuffle along the path of their memories, which surround them in every corner of their house.

Spain, April 14, 1931. The Second Republic is born. From the beginning, the writer Miguel de Unamuno is considered one of the ethical pillars of the new regime. Five years later, on December 31, 1936, a few months after the outbreak of the Spanish Civil War (1936-39), Unamuno dies at his home in Salamanca, capital of the rebel side, led by General Francisco Franco, and main center of dissemination of its propaganda apparatus.

Chile, September 1986. Tamara, commander of the communist guerrilla group Manuel Rodríguez Patriotic Front, and her comrades-in-arms set out to overthrow the military regime installed in 1973 by assassinating the dictator Augusto Pinochet.

Фильм повествует о погружении матери и дочери в семейную эмоционально-напряженную среду. Аргентинский режиссер Паула Эрнандес исследует столкновения желаний с ожиданиями, когда семейное давление доводит женщин до предела.

Paraguay 1978, during Stroessner’s dictatorship, Pastor and Dionisio work burying bodies illicitly. In Argentina, the World Cup is being held. One morning, among the bodies, they find Mario, who is still alive. They know they must kill him but the problem is: in spite of what they are doing, they have never killed anyone before. A storm indicates that the winter is coming while the destiny of the three men is determined during the World Cup final. Both Pastor and Dionisio are the last link of a chain in the terrible system that has as a result in all the missing people.

A couple moves to Patagonia escaping from the impositions of modern capitalist society. At first, the place, the people, the life seems to be what they are looking for. A new world away from everything. But soon they will discover that not everything is so magical or so simple, nor are they prepared to deal with that life. They will think about giving up. They will return to the city, but they do not fit there either: the place they left behind has already changed them. They will make a new attempt, a revealed truth, it will make everything stumble stronger than ever. But as they go through this, they will grow stronger to continue trying a new life.

12-летняя девочка попадает в секту, возглавляемую Мигелем, которому нужен от нее наследник. Но в планы Мигеля вмешивается одноклассник, в которого девочка влюбляется в школе.

Solitary and sometimes attacked by an asthmatic crisis, Roque Waterfall leads, at age 30, an unproductive life and, little or nothing at work, lives on a small family inheritance. His passion is to collect videos of Atlanta, the club of his loves, and in one of his few nocturnal outings he meets Hans, a German intellectual nihilist who is in Buenos Aires to make a documentary film about people who have nothing. But when he meets Roque he decides that his film will be about someone who does not do anything, of course he is not sure if he wants to show himself before the camera, and while trying to escape the director he meets Carla, whose charm stimulates him to interrupt his sedentary life .

An unexpected guest interrupts a couple's last day together, transforming their peaceful farewell.

Two brothers return to Pinamar off-season to scatter the ashes of their mother and sell the family apartment. There, they are received by Laura, a beautiful young local who was Miguel's childhood friend. Among music, drinks and games, she awakens the desire of the brothers and turns what seemed like a trip that revolves around death into an adventure that connects them to the memory of those summers.

A documentary floating on this thin border between fiction and reality. An author comes to a small city in Brazil’s countryside, to turn Emelyn’s life into a fictional narrative. The more the author teases Emelyn with cameras, the more she becomes Bernard, a teenager boy divided between living the desire and continuing desiring.

I’m Paula. 35. Argentine. Over the past 10 years I've been compulsively shooting everyone and everything for no particular reason. All my love stories and breakups have been recorded and systematically stored. While I kept changing boyfriends every 2 years, I shot my friends with their boyfriends, husbands, their bellies and now surrounded by children. Yes, some of us just don't follow the norm. Should I settle down or remain a free spirit?

Sound Design for Cinema in Argentina, by famous Sound Designers

Хроника восхождения звезды Пауло Коэльо, которая рассказывает, как человек, обремененный жизненными проблемами, стал одним из самых значимых писателей в истории Бразилии.

Three desperate stories about working life in São Paulo.

The air is thick with tension as a military squad proceeds to the foot of a mountain base, where they're ordered to wait for backup and hold their position. The mountain is shrouded in fog and the men are exhausted. They've been fighting guerrillas on enemy turf for some time, and they're worn down by the stress and anxiety of battle. The men don't want to wait; they want to charge up the hill, fearing that their comrades in the base have been overrun by the guerrillas. The squad's leader tries futilely to keep his men in line while dealing with his insolent second-in-command.

A metaphor for a historical disagreement between ourselves. How we make each subject a tragedy. Again and again and again.

The revolution is over, but outlaws in the arid Chaco still harass the poor. An old woman reluctantly welcomes a lone gaucho.

El Tenso does not know how to face his ill-tempered wife, Tana, to tell her that he wants to separate. Carlos, a friend of Tenso, suggests him to invert the situation and cause Tana to leave him by hiring Cuervo Flores, an irresistible seducer, to try and charm his wife until she falls in love with him.

In Buenos Aires, the twenty-something Jewish-Argentinean Ariel Makaroff ditches the University of Architecture and spends his time wandering through the downtown gallery where his mother has a lingerie shop and his brother runs an importation business. Ariel has never understood why his father left him when he was a baby, but when his dad returns to Argentina, that will soon change.

The supposed apparition of a virgin to a religious woman turns an Argentine city into a point of attraction for devout Catholics and a great economic resource for a town hit by lack of employment.

A dramatized approach to the Argentinian writer Jorge Luis Borges (1899-1986) through the recreation of some of his works and the staging of various aspects of his thought and his life.

Gabriel and Sergio meet at the psychiatric hospital where they are interned. Gabriel is a rebellious and violent young man marginalized by society. Sergio is a programmer and systems analyst and has an enviable attitude to fight against life. Soon the promise of fighting against injustice unites them.

Marcelo makes a living as a painter in a Buenos Aires square, with other street artists. Rejected and lonely as a result of his family's break up, he devotes himself to his girlfriend, and dreams of a happy future together with her. She, however, has other plans, which, along with Marcelo's discovery of the reasons for his family's separation, create increasing conflicts between them, and make Marcelo face reality more clearly.

В лабиринтах тоннелей метро Буэнос-Айреса начинают происходить странные вещи. Внезапно бесследно исчезают один из поездов вместе с пассажирами. Иногда в тоннелях можно услышать звук проезжающего в соответствии с расписанием поезда, но его никто не видит. Начинается расследование…