Zhang Tielin

Top actor Zheng Zhi (Shin) and Nina (Gillian Chung) are starring together in a movie about a poor man romancing a rich girl. Filming isn't going so smoothly, however, as director Mandy (Li Xiaoran) keeps picking apart Zheng Zhi's acting. It turns out that Mandy and Zheng Zhi are actually former lovers, and the movie's plot is their own story. Meanwhile, Chuan Zi (Yu Shaoqun) joined the production as an extra in hopes of reuniting with Nina, whom he believes is his childhood sweetheart. Nina, however, already has a rich and handsome boyfriend.

This is a story of a scientist who made important contributions to the missile and space programs of both the United States and People's Republic of China.

In 1899, Lord Kang must decide which of his three sons will take over his family's Chinese banking empire. When circumstances dictate that he appoint his unreliable youngest son, family bonds are pushed to the limit as father and son clash in a climate of political turmoil. Winner of the Special Jury Award at the 2009 Shanghai International Film Festival.

Вон Фей Хун, его ученики Люн Фун и Клабфут и девушка Мэй, которую он повстречал в предыдущей части, возвращаются в родной По Чи Лам, где их дожидаются кузина Фей Хуна И, его отец Вон Кей Ин и два других ученика, А Со и Порки Лэн. По прибытию выясняется, что провинция голодает, и пираты постоянно нападают на фермеров. Суду и полиции самим нечего есть, и Фей Хун сотоварищи решаются помочь городу избавиться от морской угрозы.

On his way to a congress of kung fu masters, an initiate falls from a high cliff, only to be rescued by lovely Tien Lam (Anita Mui), who rides a huge crane. The rest of the movie features a battle between warring martial arts factions, an equally fierce rivalry between the two daughters of the Crane Master, the accidental empowerment of an unprincipled master after having eaten half of a secret scroll, a battle with an immense tortoise whose spleeny vapors save a group of poisoned swordsmen, lots of great aerial fights against nearly invincible villains, and the usual blood spurting from assorted mouths.

1895 год, Китай. Крайняя националистическая организация «Белый Лотос» устраивает беспорядки во время международной конференции врачей. Трагическая участь ждет гостей — иностранцев. В числе гостей съезда мастер Вонг. Вместе с переводчицей и своим приятелем они должны помешать террористам довести до конца кровавый план, который вверг бы страну в полный хаос и вызвать войну с мировыми державами…

It charts the experiences of a young Chinese painter who comes to London soon after the Beijing massacre and decides to stay. His initial difficulties in adjusting and the misunderstandings are sketched succinctly, but the meat of the film is the account of the boy's psychological blocks: his determination to go it alone, and his almost pathological inability to accept help and affection. In other words, not the usual anecdotal guff, but an intense and demanding study of the 'inner wounds' that afflict so many Chinese from the PRC.

This simple romance story does not mean much to westerners, and in fact, does not even mean anything to Chinese today, but it was a big thing when it was made, not long after the end of Cultural Revolution in which even the personal romance was restricted. This movie is one of the pioneers of personal liberalization in advocating people seeking out their love following their own hearts, not from other people.

Dramatization of events from the Second Opium War which culminated in the looting and destruction of imperial estate "Yuan Ming Yuan", AKA the Old Summer Palace by invading English and French troops.

The stories of a newly retired editor and the antique chair he purchased.