ROLAND REBER’S CABARET OF DEATH paints a multi-layered picture of existence and puts the taboo subject of death back in line into the circle of life. In various storylines a ruined relationship crosses paths with an old man begging for euthanasia, a live show featuring candidates who are mercilessly sacrificed to the audience, a dancer who cannot escape ageing despite her self-optimization and the one with the mask who craves to be famous at all costs. And between all this, a corpse driver rolls his “clients” through a long corridor and shares his very personal and unaffected thoughts about life and dea
Когда-то Хельга, Мария и Кикки были лучшими подругами и мечтали вместе открыть танцевальное кафе. Но потом их пути разошлись. И вот, когда им всем уже под 70, в их городе неожиданно появляется Кикки, давно исчезнувшая неизвестно куда, и предлагает возобновить дружбу и осуществить мечту их юности.
In 1818, when Joseph Mohr is assigned to be the new assistant priest in Oberndorf, a small Austrian town near Salzburg, the young man is full of ideas and ideals. His passion to bring the church closer to the common people sets him on a collision course with his new superior, Father Nostler. When Mohr organizes a church choir that includes outcasts from the local tavern and performs in German instead of Latin, Nostler threatens him with disciplinary action. Their relationship further deteriorates when Maria a regular tavern patron, surprisingly joins the performance of the all-male church choir. As Mohr's initial successes start to crumble and his efforts backfire on him, he loses all hope and faces a trial of faith. The night before Christmas, Mohr has to decide if he will accept defeat and leave Oberndorf or embrace the true significance of the Holy Night.
