Heinz is Amsterdam personified: a happy-go-lucky freeloader. However, he's in big trouble with his girlfriend Dolly. One day he is looking after their baby - the next day he finds himself on a mysterious island, and his son is missing! As he searches desperately for the boy, Heinz discovers he's been an unwitting pawn in the evil schemes of the diabolical windbag Git. During a spectacular showdown in New York, Heinz thwarts Git's attempts to eradicate mankind and rescues his son - sort of...
Himself
The life and work of enigmatic Dutch/Californian conceptual artist Bas Jan Ader, who in 1975 disappeared under mysterious circumstances at sea in the smallest boat ever to cross the Atlantic. As seen through the eyes of fellow emigrant filmmaker René Daalder, the picture becomes a sweeping overview of contemporary art films as well as an epic saga of the transformative powers of the ocean.
Himself
This feature-length documentary chronicles the life and playful methods of Dutch pianist and composer Misha Mengelberg, a significant figure in post-WWII European Jazz and free improvisation. Archival footage, rehearsal / performance sequences and interviews with both Mengelberg (the "godfather of Dutch improvised music") and key collaborators provide a clear insight in Mengelberg's original way of thinking and way of working.
Simon de Schoolkat (voice)
По роману Анни Шмидт. Журналист Тибе начинает публиковать в местной газете сенсационные разоблачающие статьи. Через некоторое время выяснилось, что всю информацию он узнавал от Мурли — девушки с душой кошки. Однажды Мурли выпила загадочное зелье и превратилась в хорошенькую девушку с кошачьими повадками. Она пришла жить к Тибе, истала ему поставлять сенсационные новости, которые узнавала от всех котов округи.
Karel
In order to get more customers to their rural inn, Karel and Truus have come up with a stunt. Karel will beat the record for being buried alive. After 124 days the media finally show up.
Writer
Patrick Dench is a successful loudmouth barrister and professional womanizer who treats everybody with disrespect but still manages to bed every beautiful woman in sight.
Director
Patrick Dench is a successful loudmouth barrister and professional womanizer who treats everybody with disrespect but still manages to bed every beautiful woman in sight.
Director
Dick Bakker convinces Onno Bosman to produce a stage show about the sinking of the cruise ship 'Onan' and hires Fred Haché, Barend Servet, Sjef van Oekel and Ir. Van der Pik to star.
Dick Bakker convinces Onno Bosman to produce a stage show about the sinking of the cruise ship 'Onan' and hires Fred Haché, Barend Servet, Sjef van Oekel and Ir. Van der Pik to star.
A group of people are having a party. The host has invited concert pianist Johan van Spek to perform one of his own compositions, which leaves the piano in such a state that a tuner arrives shortly to care for it.
Writer
A group of people are having a party. The host has invited concert pianist Johan van Spek to perform one of his own compositions, which leaves the piano in such a state that a tuner arrives shortly to care for it.
Writer
A young farmer's wife brings her husband something to eat in the field during summer time.
Director
A young farmer's wife brings her husband something to eat in the field during summer time.
Writer
A rude man goes to restaurant 'Bon Appetit' and orders practically everything on the menu.
Director
A rude man goes to restaurant 'Bon Appetit' and orders practically everything on the menu.
Writer
"This beautiful example of far-fetched blasphemy accompanies a happy, ugly nun into the woods for her constitutional, replete with charming bird noises. Praying to and fondling a priapic mushroom, she is unaware of the evil rapist shadowing her. When the rape occurs, it is in long shot, hidden from view, under a huge tree. Articles of clothes and her cross sail through the air; the tree - entirely dominating the screen - sways rhythmically and repeatedly. A few minutes later it stops; then another tree, a few feet away, begins to sway in identical fashion. The rapist finally emerges, exhausted." (Amos Vogel, Film as a Subversive Art)
Director
The film shows, in an almost motionless camera setting, a frumpy 1960s interior. The viewer sees a dresser with a vase of tulips atop it. Swelling music accompanies the camera as it slowly zooms in on Holland’s national flower. In the carefully constructed staging, it is like a visual sledgehammer when a single petal suddenly comes loose and falls. Then the camera modestly pulls back.
