John Raitt

The golden age of the annual Tony Awards ceremony lasted from 1967 to 1986 — the period during which Alexander H. Cohen and his wife, Hildy Parks, were the producers of the show. This film offers a compilation of performances from Tony Award broadcasts during those years. They are presented with color-corrected footage and digitally re-mastered sound.

Broadway: The Golden Age is the most important, ambitious and comprehensive film ever made about America's most celebrated indigenous art form. Award-winning filmmaker Rick McKay filmed over 100 of the greatest stars ever to work on Broadway or in Hollywood. He soon learned that great films can be restored, fine literature can be kept in print - but historic Broadway performances of the past are the most endangered. They leave only memories that, while more vivid, are more difficult to preserve. In their own words — and not a moment too soon — Broadway: The Golden Age tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. This is the largest cast of legends ever in one film.

When the cameras rolled, Doris Day wore a happy face, never hinting at the pain she endured in her personal life. This documentary brings viewers close to the real Doris Day through the eyes of her friends and family members and with the help of film footage, newsreels and photographs. What surfaces is a complex picture of an equally complicated woman who faced problems far more formidable than her cinematic image revealed.

A live television adaptation of the popular musical about sharpshooter Annie Oakley joining Buffalo Bill's Wild West Show and falling in love with her co-star, Frank Butler.

На фабрику по пошиву пижам «Спокойных снов!» приходит новый управляющий Сид Сорокин. Здесь он знакомится с представителем комитета по жалобам Бэйб Уильямс. Между ними возникает роман. В это время местный профсоюз начинает активную борьбу за надбавку в 7,5 центов. Сид и Бэйб оказываются по разные стороны баррикад.

Unusually elaborate for a PRC film, Minstrel Man is a lively musical drama built around the talents of veteran vaudevillian Benny Fields. The star is cast as Dixie Boy Johnson, who rises from the ranks of minstrel shows to become a top Broadway attraction. On the opening night of his greatest stage triumph, Dixie Boy's wife dies in childbirth. Profoundly shaken, he walks out of the show, leaving the baby to be raised by his showbiz pals Mae and Lasses White (Gladys George, Roscoe Karns). The kid grows up to be an attractive young woman named Caroline (Judy Clark), who follows in her dad's footsteps by billing herself as-that's right-Dixie Girl Johnson. This leads to a tearful reunion between Caroline and the father she'd long assumed to be dead. If Minstrel Man seems at times to be a dress rehearsal for Columbia's The Jolson Story (1946), it shouldn't surprising: the PRC film was directed by Joseph H. Lewis, who went on to helm Jolson Story's musical highlights.

Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, but fails to see why she would be involved.

Joe Smith is an ordinary American family man who works in an aircraft factory. Shortly after being a promoted to a much higher position, Joe is kidnapped by enemy agents who are determined to get military secrets out of him by any means possible. Will Joe keep quiet or betray his country...

Billy Bonney is a hot-headed gunslinger who narrowly skirts a life of crime by being befriended and hired by a peaceful rancher, Eric Keating. When Keating is killed, Billy seeks revenge on the men who killed him, even if it means opposing his friend, Marshal Jim Sherwood.

Алан Дрэйк (Роберт Тейлор) – курсант, окончивший летную академию в г.Пенсакола, как лучший выпускник, получает назначение в легендарный летный отряд ВМС США под названием «Адские Коты», который базируется в Сан-Диего. Он сразу производит не самое приятное впечатление на закаленных ветеранов своей юношеской самоуверенностью. Эта неприязнь особенно усиливается, когда Дрейка начинают подозревать в том, что у него роман с Лорной Гэри (Рут Хасси) женой их любимого командира Билла Гэри (Уолтер Пиджен). Алану ничего другого не остается, как подать прошение об отставке...

Nellie Kelly, the daughter of Irish immigrants, patches up differences between her father and maternal grandfather while rising to the top on Broadway.