Оказавшись в Вене, молодой парень встречает свою первую и, как ему кажется, последнюю любовь. В тонкостях желаний и соблазнов ему помогает разобраться тот, кто знает об этом всё, - сам Зигмунд Фрейд.
Thank you for Bombing accompanies three correspondents to their working place in conflict areas and gives an insight into their daily routine aside from cameras and satellite phones - somewhere between bombing alarm, laundry and Bach flower therapy.
Sylvia (34) has every reason to be proud. On her son and on herself. After all, she raised Ben all by himself, and today the 18-year-old is an all-round successful boy. Ben knows about his conception only as much as that he is a child of pure love. He never knew his father, so he does not miss him either. Sylvia is his mother and closest confidant at the same time. But this trust threatens to break as Sylvia is caught up in her past and Ben has to learn that he is actually the product of a rape. Everything seems to be in question in one fell swoop.
Vienna's high society parties with sex, drugs, alcohol and young models. Hanna von Stezewitz stands in the center of it all. She's young, attractive and rich, head of a corporate group and one of Vienna's most important financers.
Does luck have a use by date? Both thought that at eighty they have experienced everything until, like a bolt of lightening, Rosa and Bruno come together and immediately fall head over heels. There are two obstacles to their happiness though: Bruno’s marriage, which has long been routine, and Rosa’s illness; she has cancer and not long left to live. Despite the difficult circumstances, the two decide to breakaway – Bruno from his relationship and Rosa from her retirement home. Against the advice of carers, doctors and relatives, the pair moves into a new apartment together. ANFANG 80 shows with a great deal of unequivocal humour how insensitively and sometimes desperately overburdened society reacts to love among the elderly.
For months, the corrupt Viennese policeman Albert Schuh unsuccessfully investigates the murder case of his former friend and colleague. Then he gets a young, overambitious partner. The German colleague Thorsten Richter is a set of correctness and ambition, and thus the exact opposite of the Viennese, the "benefits" from the criminal scene is quite open. Since the two can not stand, the dispute does not stay out. The Austrian stops the German an unnecessary undercover job on an erotic chat line and determined alone on.
