Françoise Joset

Фильмы

Les Poings serrés
Set Decoration
Les Poings serrés
Production Design
Богоматерь Нила
Production Design
История взросления группы девушек из Руанды в бельгийской католической школе-пансионате.
Комната желаний
Art Direction
Влюбленная пара решает переехать в уединенный особняк. Занимаясь ремонтом старинного дома, они обнаруживают замурованную комнату, исполняющую любое их желание. Миллионы долларов, подлинник Ван Гога и самые роскошные наряды — чего бы они ни захотели, моментально материализуется. Однако, наигравшись вдоволь, молодая женщина осмеливается пожелать себе долгожданного ребенка, даже не подозревая, какую сделку совершает…
Chubby
Production Design
Chubby is the nickname of Kevin, a 12 years old kid already weights 100 kilos (220.46 lb). If he keeps devours fries, pastries and ice cream everyday, he's gonna have heart attack sooner or later unless he decides to change his diet to turn around and stop eating junk food.
Обещание
Assistant Art Director
Пожилой магнат нанимает молодого секретаря. Юноша влюбляется в красавицу жену. Молодые люди изо всех сил пытаются противостоять искушению и сдержать обещание.
The Bag of Flour
Production Design
Based on a true story, this beautifully-shot epic traces the life of Sarah, from her early years in a Catholic orphanage in 1970s Belgium, through her rebellious, poverty-stricken teens in a village in the Atlas mountains of Morocco.
Red Ants
Art Direction
A sixteen year-old girl living with her widowed father in the Ardennes forest befriends a twenty-two year old orphan whose manipulative aunt contrives to keep him immature in the feature directorial debut of filmmaker Stéphan Carpiaux. A tragic accident has claimed the life of Alex's mother, and now the grieving teen will be forced to grow up before her time. Though Alex's father Frank wages a valiant struggle to overcome the apathy that consumes him following the loss of his beloved wife, the situation grows complicated when the naïve adolescent unintentionally compounds her father's pain. As tenderness threatens to give way to desire, Alex makes the acquaintance of twenty-two year old Hector. Later, as a friendship begins to blossom between Alex and Heather, Alex becomes acutely aware of just how damaging her relationship with her father has become.
Red Ants
Production Design
A sixteen year-old girl living with her widowed father in the Ardennes forest befriends a twenty-two year old orphan whose manipulative aunt contrives to keep him immature in the feature directorial debut of filmmaker Stéphan Carpiaux. A tragic accident has claimed the life of Alex's mother, and now the grieving teen will be forced to grow up before her time. Though Alex's father Frank wages a valiant struggle to overcome the apathy that consumes him following the loss of his beloved wife, the situation grows complicated when the naïve adolescent unintentionally compounds her father's pain. As tenderness threatens to give way to desire, Alex makes the acquaintance of twenty-two year old Hector. Later, as a friendship begins to blossom between Alex and Heather, Alex becomes acutely aware of just how damaging her relationship with her father has become.
Обещание
Art Direction
Игор и его отец Роже зарабатывают на перевозке и трудоустройстве нелегальных иммигрантов в Бельгию. Но однажды внезапный визит трудовой инспекции приводит к несчастному случаю с одним из нелегалов — Амидо. Игор и Роже скрывают его смерть и делают так, чтобы для всех Амидо исчез. Но с Амидо приехали его жена и грудной ребенок, у которых теперь нет средств к существованию в чужой стране. Игор дал Амидо обещание, о котором не может просто забыть.
Permeke
Makeup Artist
When Anna, a twenty-eight-year-old photographer, is put in charge of a report on the restoration works at The Ostend Museum of Modern Art, she discovers by chance five paintings signed Constant Permeke, whose power and mystery move and fascinate her.She decides to embark on a quest to find out about who Permeke actually was, the places where he lived, how he worked, what experiences he went through.