Francesca Romana Bergamo

Кармеле 30, она красива и неукротима как наездница. Она безработная и изо всех сил пытается выжить, выполняя мелкие повседневные задачи. Кармела сводит концы с концами, используя иммигрантов, населяющих лабиринт переулков старого исторического центра Неаполя. Круг ада, где даже для получения вида на жительство нужно платить за работу.

Маленькая Мия выросла на огромном корабле «Мегариде», уже 15 с лишним лет пришвартованном в порту Неаполя. После смерти отца девочка останется со злой мачехой и ее коварными дочерьми. Ее отец, состоятельный ученый, унес в могилу тайну управления судном и мечту возродить пришедший в упадок порт Неаполя. В упадке и сам город, где всем заправляет амбициозный наркоторговец Сальваторе Ло Джусто по прозвищу «Король». По сговору с мачехой он вкладывает наследство ни о чем не подозревающей Кошки-Золушки (так прозвали девочку) в оборот наркотиков.

The plan of a rich criminal to avoid a trial by expatriating involves many characters.

Sergio driving a taxi in a white Naples overflowing sadness and garbage. Pouring rain leads her clients through the city trying to process the death of his brother, who started ten years earlier for Tibet and never returned. A pop singer, a recycler of fragments of life, a radio announcer, an old uncle, alternate seats on its bearing, each in its own way, a trace of his brother loved. Stubborn not to go over and get lost in an endless race, Sergio is overwhelmed by memories and the music produced in pairs with Alfredo, which in Buddhism and in its foundations had found the strength to cope with the disease. Those notes that he believed buried and laid to always return overbearing and demanding a soundboard that resonate and express his being sound. Putting his hand on the piano, Sergio Alfredo feel again, giving the past with the present and realizing itself in the feeling.

Sergio driving a taxi in a white Naples overflowing sadness and garbage. Pouring rain leads her clients through the city trying to process the death of his brother, who started ten years earlier for Tibet and never returned. A pop singer, a recycler of fragments of life, a radio announcer, an old uncle, alternate seats on its bearing, each in its own way, a trace of his brother loved. Stubborn not to go over and get lost in an endless race, Sergio is overwhelmed by memories and the music produced in pairs with Alfredo, which in Buddhism and in its foundations had found the strength to cope with the disease. Those notes that he believed buried and laid to always return overbearing and demanding a soundboard that resonate and express his being sound. Putting his hand on the piano, Sergio Alfredo feel again, giving the past with the present and realizing itself in the feeling.