Writer
Aporia tells the story of someone caught in the midst of cultural, religious, ethnic, and national conflict. After fleeing Syria, Haleem hopes to bring his wife and children and settle in Germany. During a layover in South Korea, he is found in possession of a fake passport. Haleem then finds himself struggling in an unfamiliar country, taking illegal and illicit work in the hopes of being reunited with his family…
Director
Aporia tells the story of someone caught in the midst of cultural, religious, ethnic, and national conflict. After fleeing Syria, Haleem hopes to bring his wife and children and settle in Germany. During a layover in South Korea, he is found in possession of a fake passport. Haleem then finds himself struggling in an unfamiliar country, taking illegal and illicit work in the hopes of being reunited with his family…
Director
20 years after discharge from the army and now an excavator driver, a former paratrooper who had been mobilized to suppress the May 18th Democratic Uprising in Korea in 1980, happens to find a skull in the ground one day. Driving his excavator, he pays visits to his former superiors one by one and realizes they were all both assailants and victims of the times.
Director
Based on a screenplay by the prolific Kim Ki-duk. Two families live next door to each other in identical suburban white houses with green lawns. One family is from South Korea, the other is a fake family assembled from North Korean spies. The North Koreans must strictly obey every order from their regime, who holds their real families hostage. The problem is that the families affect each other and after a while, the political rift in the North Korean house becomes apparent. Naturally, there also occurs cross-border romantic entanglements between old and young alike.
