Julio Diamante

A young ex-seminarian named José is doing his military service in Córdoba. There he meets Carmen, a beautiful flamenco dancer who falls madly in love, to the point that he steals to get money for her, so he will be imprisoned. José does not support the separation and, when he is driven by the Civil Guard on a train, he runs off by jumping out the window. He then left for Madrid in search of Carmen, who now lives in the company of his uncle, the lame, master of dancers. The woman welcomes José coldly, although they engage in a strange and tense relationship behind the back of El Morao, her former pimp, who lives with her again (jsanchez, IMDb).

A young ex-seminarian named José is doing his military service in Córdoba. There he meets Carmen, a beautiful flamenco dancer who falls madly in love, to the point that he steals to get money for her, so he will be imprisoned. José does not support the separation and, when he is driven by the Civil Guard on a train, he runs off by jumping out the window. He then left for Madrid in search of Carmen, who now lives in the company of his uncle, the lame, master of dancers. The woman welcomes José coldly, although they engage in a strange and tense relationship behind the back of El Morao, her former pimp, who lives with her again (jsanchez, IMDb).

A young ex-seminarian named José is doing his military service in Córdoba. There he meets Carmen, a beautiful flamenco dancer who falls madly in love, to the point that he steals to get money for her, so he will be imprisoned. José does not support the separation and, when he is driven by the Civil Guard on a train, he runs off by jumping out the window. He then left for Madrid in search of Carmen, who now lives in the company of his uncle, the lame, master of dancers. The woman welcomes José coldly, although they engage in a strange and tense relationship behind the back of El Morao, her former pimp, who lives with her again (jsanchez, IMDb).

Paco, a frustrated office worker, goes to the office of a psychologist, to whom he tells his most delirious sexual fantasies in the hope that he will apply a curative therapy. Unfortunately, the doctor will end up confessing that he can not help, because he lives with a doll that has become his companion sentimental.

Paco, a frustrated office worker, goes to the office of a psychologist, to whom he tells his most delirious sexual fantasies in the hope that he will apply a curative therapy. Unfortunately, the doctor will end up confessing that he can not help, because he lives with a doll that has become his companion sentimental.

Inspired by the French classic Les diaboliques (1955), this psycho-thriller copies that film rather closely.

Inspired by the French classic Les diaboliques (1955), this psycho-thriller copies that film rather closely.

Country bumpkin Frank runs into a gangland shooting, driving the victims to the gang's headquarters. He soon earns a place in Erik's mob. Syndicate head Big John wishes to unite the four gangs in Chicago, but Erik defies them, wishing to remain independent. An assassination attempt forces him to reconsider, and his gang isn't impressed with what they take for his cowardice. This is the point that allows the ambitious Frank to muscle in on Erik's mob, and his moll, Lucie. Frank's first move is to hire outside pros, and shoot up a casino of Big John's, challenging the entire syndicate. Erik, meanwhile, harbors feelings of revenge.

After graduating in Economics, Luis is seeking to burst through in life. His partner Ana sees how his way of being is changing by the standards of his company into a different person. Ana tries to draw his attention in a failed suicide attempt.

After graduating in Economics, Luis is seeking to burst through in life. His partner Ana sees how his way of being is changing by the standards of his company into a different person. Ana tries to draw his attention in a failed suicide attempt.

After graduating in Economics, Luis is seeking to burst through in life. His partner Ana sees how his way of being is changing by the standards of his company into a different person. Ana tries to draw his attention in a failed suicide attempt.

Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.

Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.

Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.

First World War. In a largely rural area of neutral Spain, two families confront one another and play a part in embarrassing situations because they don't support the same side in the war. This will influence the breakup of an engagement.

Taking Franz Kafka's "The Process" as a source of inspiration, a poetic approach is made to his plot, to his characters and sets turned into icons, a meta-theatrical reflection where the gestural language and the surrealist elements imply a very personal reading of the Czech author.

Taking Franz Kafka's "The Process" as a source of inspiration, a poetic approach is made to his plot, to his characters and sets turned into icons, a meta-theatrical reflection where the gestural language and the surrealist elements imply a very personal reading of the Czech author.

A man, whom we don't identify, kills himself with his razor because he can no longer bear the complaints of his wife, whose face we can't see well either. An impressionistic work with very close shots that cut out reality until, for example, the faces of the characters are omitted. A kind of description and brief chronicle of daily life in a house for a few minutes serves as a framework for the irruption of an unusual tragedy. Filmed without sound, it lacks any subsequent dialogue, although a piano band with a jazzy air has been added.

A man, whom we don't identify, kills himself with his razor because he can no longer bear the complaints of his wife, whose face we can't see well either. An impressionistic work with very close shots that cut out reality until, for example, the faces of the characters are omitted. A kind of description and brief chronicle of daily life in a house for a few minutes serves as a framework for the irruption of an unusual tragedy. Filmed without sound, it lacks any subsequent dialogue, although a piano band with a jazzy air has been added.