Operário
Diogo (17) has a little quirk: he likes to call his mother's female therapy patients and masturbate while listening to them on the phone. One of these patients is Angela (43), a woman who was just left by her husband When Diogo calls Angela, she thinks it's her husband calling. She starts having a relationship with the silence on the other end of the line. But when she finds out it's Diogo, she's disgusted. She's furious. But, most of all, she's attracted to this person who showed so much interest in her. The only person who called her every day. Diogo helps Angela see that she can have a new beginning and she shows him his way to independence. But they have to face a number of obstacles: There's the age difference, Diogo's mother, and, especially, his own path to adulthood.
Shelly, a young dancer who dreams of becoming a singer, and Jaqueline, an experienced singer who has had some successes and bitter the decline of her career, are partners in a brash band in a scenario that It mixes the romanticism and the sensuality of the Brazilian periphery. Inserted in the universe of show business, between nightclubs and local TV shows, they discover that everything is disposable, like success, love and other human relations. Together, they seem to form a single trajectory of life, where Shelly represents the past of Jaqueline, while this figure like the probable future of the colleague.
В небольшой деревне неподалеку от сахарной плантации и спиртового заводика подлый и бедный Хейтор эксплуатирует свою шестнадцатилетнюю внучку Оксилиадору, заставляя ее показывать себя за деньги проезжим шоферам, остановившимся на бензозаправке. Группа местных хулиганов проводит время в оргиях с проститутками и марихуаной, а садист Сисеро домогается Оксилиадоры..
