Editor
Without committing any crime, an important criminal judge finds himself a prisoner in his own office. Due to his risky work, he is receiving critical death threats. In order to protect himself, he will need to live under tight security, spending his days locked and away from his family and friends.
Producer
Without committing any crime, an important criminal judge finds himself a prisoner in his own office. Due to his risky work, he is receiving critical death threats. In order to protect himself, he will need to live under tight security, spending his days locked and away from his family and friends.
Writer
Without committing any crime, an important criminal judge finds himself a prisoner in his own office. Due to his risky work, he is receiving critical death threats. In order to protect himself, he will need to live under tight security, spending his days locked and away from his family and friends.
Director
Without committing any crime, an important criminal judge finds himself a prisoner in his own office. Due to his risky work, he is receiving critical death threats. In order to protect himself, he will need to live under tight security, spending his days locked and away from his family and friends.
Producer
Socialism in Cuba by the eyes of four generations of Cubans.
Editor
Гимн бразильским гетто (они же фавелы), породившим байле-фанк — взбалмошную смесь музыки стран третьего мира, нелегального рейва и злого фанка, на волне которого вышли в люди Майя и Сантиголд. Снял фильм не кто иной, как Дипло (он же Уэсли Пенц) — диджей, продюсер и крестный отец двух вышеупомянутых артисток. Поэтому неудивительно, что вместо истории жанра в сухом остатке у него вышла увлекательная этнографическая экспедиция в трущобы Рио-де-Жанейро, где наркотики, секс и зашкаливающий уровень преступности играют в становлении байле-фанка не меньшую роль, чем сама музыка.
Screenplay
Гимн бразильским гетто (они же фавелы), породившим байле-фанк — взбалмошную смесь музыки стран третьего мира, нелегального рейва и злого фанка, на волне которого вышли в люди Майя и Сантиголд. Снял фильм не кто иной, как Дипло (он же Уэсли Пенц) — диджей, продюсер и крестный отец двух вышеупомянутых артисток. Поэтому неудивительно, что вместо истории жанра в сухом остатке у него вышла увлекательная этнографическая экспедиция в трущобы Рио-де-Жанейро, где наркотики, секс и зашкаливающий уровень преступности играют в становлении байле-фанка не меньшую роль, чем сама музыка.
Editor
After many flops, theatrical producer decides to stage a former hit, "O Mistério de Irma Vap". But he is going to face many problems to find the right actors and get the necessary permissions.
Editor
In the streets of Rio de Janeiro, survival is the name of the game where the protagonist is an imported 'hot' car. People, from all social levels, will do anything in order to possess it, if only for a few minutes.
Producer
In the streets of Rio de Janeiro, survival is the name of the game where the protagonist is an imported 'hot' car. People, from all social levels, will do anything in order to possess it, if only for a few minutes.
Writer
In the streets of Rio de Janeiro, survival is the name of the game where the protagonist is an imported 'hot' car. People, from all social levels, will do anything in order to possess it, if only for a few minutes.
Director
In the streets of Rio de Janeiro, survival is the name of the game where the protagonist is an imported 'hot' car. People, from all social levels, will do anything in order to possess it, if only for a few minutes.
Editor
An attractive, 30-year-old successful graphic designer with a captivating personality hasn't had a good date in over a year, and she's not alone - her best friends share the same problem. They all dream about finding their prince charming and all too often settle for the frog. At the agency, instead of Mr. Right, Laura meets Miguel, a blue-collar, and Tiago, an irresistible, compulsive womanizer.
