Ezequiel Tronconi

Uruguay (1972) unavoidably falls into a terrible dictatorship. Diego and Leonardo, two writers of a well-known TV comedy show, struggle to maintain their integrity under the pressure they receive to tone down their political satires against the military. On the side of the oppressors, Rojas, the lieutenant in charge of torturing subversive youth, finds emotional refuge in Susana, a prostitute. Slowly, the lives of all of them are deeply impacted by the yoke of the dictatorship that looms over them.

Bruno is thirty years old and has a girlfriend, Juliana, with whom he is about to celebrate a decade of love.He loves her, but feels that she no longer captivates him. She wants to be a mother. He doesn't know if he wants to take that step. He fears it could be a mistake, perhaps Juliana is not the woman of his life or perhaps it is too soon. To make matters worse, he is attracted to Lara, his new sexy and young employee. Further confused, Bruno only finds comfort in the company of his father and his old bass. This confusion pushes Bruno to reunite with an old love: music.

Bruno is thirty years old and has a girlfriend, Juliana, with whom he is about to celebrate a decade of love.He loves her, but feels that she no longer captivates him. She wants to be a mother. He doesn't know if he wants to take that step. He fears it could be a mistake, perhaps Juliana is not the woman of his life or perhaps it is too soon. To make matters worse, he is attracted to Lara, his new sexy and young employee. Further confused, Bruno only finds comfort in the company of his father and his old bass. This confusion pushes Bruno to reunite with an old love: music.

Bruno is thirty years old and has a girlfriend, Juliana, with whom he is about to celebrate a decade of love.He loves her, but feels that she no longer captivates him. She wants to be a mother. He doesn't know if he wants to take that step. He fears it could be a mistake, perhaps Juliana is not the woman of his life or perhaps it is too soon. To make matters worse, he is attracted to Lara, his new sexy and young employee. Further confused, Bruno only finds comfort in the company of his father and his old bass. This confusion pushes Bruno to reunite with an old love: music.

Natalio is a passionate teacher. When Juani, a friend, comes to live in the town, the inhabitants confirm the rumors about his homosexuality. The parents of his students do not approve the teacher's behavior with another man and harass the principal so that Natalio does not continue to lead the classroom.

Yolanda hires Nicki Nicole and Rocío Ro-Ro for a robbery. They furtively get their hands on a drug load. The Princesita will go on a hunt to get back what belongs to her.

The plot is set in 1966 when an Argentine scientist carries out a space plan to compete with the United States and the Soviet Union in the arrival to the Moon.

The story is centered on the human drama of three young people from a small town in Traslasierra, Córdoba, who from very different ideological places, are forever transformed by the war in Malvinas Argentinas (Falkland Islands).

Iván's dream is to meet Ricardo Iorio, Chacho's is to succeed as an actor and Rama's is to conquer Lucy. The three are joined by a single passion: metal.

A lie is a declaration of someone who believes or suspects that is entirely or partially false and expects people to believe it, so the truth can be entirely or partialy hidden. Fictions, even when they are false, are not regarded as lies. Malena and Lucas maintain a dead relationship neither is willing to end for different reasons. Fears, insecurities, third parties involved, and their imposibility to face the truth forces them to lie (each other), and according to the dictionary the people who often do that are characterized as liars.

A particular look at the love mismatch, the unrealized ties and the possible relationships that do not come ... and the window as a way to look into other lives that may end up being your own. A look at a generation of young people living in small universes contained in the urbanity of a Buenos Aires at the beginning of the 21st century.

La Tigra, Chaco. A quiet town only 20 blocks long. Esteban returns after years of absence to the place where he spent his childhood summers. He returns looking for his father, Cacho, and to talk "about Buenos Aires". But Cacho, a truck driver who has started a new family in La Tigra, is often on the road and their encounter is postponed indefinitely. While he waits, Esteban meets Vero, a childhood friend that has grown into a beautiful woman. Each step together seems to take them back to the most precious moments of a shared memory. But their relationship is not a journey into the past; rather it holds the promise of a future. Federico Godfrid's and Juan Sasiaín's first feature film transmits the warmth, honesty and sadness of this reunion, thanks to its mise en scène and the performances of Ezequiel Tronconi and Guadalupe Docampo, who give their characters a rare spontaneity.

Life is a long way to adapt to fear. Monica, 33, recently separated, waits for the result of a medical examination, but has no courage to break the news to her self-centered relatives.