Rithy Panh

Rithy Panh

Рождение : 1964-04-18, Phnom Penh, Cambodia

Профиль

Rithy Panh
Rithy Panh

Фильмы

Everything Will Be OK
Producer
After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century.
Everything Will Be OK
Editor
After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century.
Everything Will Be OK
Director of Photography
After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century.
Everything Will Be OK
Writer
After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century.
Everything Will Be OK
Director
After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century.
Облученные
Co-Producer
Фильм о людях, переживших ужасы войны.
Облученные
Editor
Фильм о людях, переживших ужасы войны.
Облученные
Writer
Фильм о людях, переживших ужасы войны.
Облученные
Director
Фильм о людях, переживших ужасы войны.
Life in 24 Frames a Second
Himself
"Life in 24 Frames a Second" is a film about hardship, misfortune, perseverance and triumph. The personal stories of John Woo (The Killer), Anurag Kashyap (Sacred Games), Rithy Panh (The Missing Picture) and Lav Diaz (The Woman Who Left), who survived extreme poverty, disease, sexual abuse, genocide and civil war to go on to become maestros of world cinema. 'Survivors' united by their abiding love of the movies.
30/30 Vision: Three Decades of Strand Releasing
Director
Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.
Плавучесть
Executive Producer
Четырнадцатилетний камбоджиец Чакра вынужден работать вместе со своей большой семьей на рисовых полях. Ему не нравится работа, тяжелая жизнь и постоянные препирательства с отцом. Он сбегает из дома, но попадает в руки торговцев людьми. Так Чакра оказывается в Таиланде, где его заставляют трудиться на рыбацкой лодке. Здесь условия еще более невыносимые: прав у мальчика нет, денег не платят. Чакра мечтает сбежать от жестоких рабовладельцев домой.
Graves Without a Name
Director of Photography
After The Missing Picture (Un Certain Regard winner 2013 and Oscar nominee for the Best Foreign Language Film in 2013) and Exile, Rithy Panh continues his personal and spiritual exploration. S21 the Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell analyzed the mechanisms of the crime. Graves Without a Name searches for a path to peace. When a thirteen-year-old child, who lost the greater part of his family under the Khmer rouge, embarks on a search for their graves, whether clay or on spiritual ground, what does he find there? And above all, what is he looking for? Spectral trees? Villages defaced beyond recognition? Witnesses who are reluctant to speak? The ethereal touch of a brother or sister’s body as the night approaches? A cinematic movie that reaches well beyond the story of a country for that which is universal.
Graves Without a Name
Editor
After The Missing Picture (Un Certain Regard winner 2013 and Oscar nominee for the Best Foreign Language Film in 2013) and Exile, Rithy Panh continues his personal and spiritual exploration. S21 the Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell analyzed the mechanisms of the crime. Graves Without a Name searches for a path to peace. When a thirteen-year-old child, who lost the greater part of his family under the Khmer rouge, embarks on a search for their graves, whether clay or on spiritual ground, what does he find there? And above all, what is he looking for? Spectral trees? Villages defaced beyond recognition? Witnesses who are reluctant to speak? The ethereal touch of a brother or sister’s body as the night approaches? A cinematic movie that reaches well beyond the story of a country for that which is universal.
Graves Without a Name
Screenplay
After The Missing Picture (Un Certain Regard winner 2013 and Oscar nominee for the Best Foreign Language Film in 2013) and Exile, Rithy Panh continues his personal and spiritual exploration. S21 the Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell analyzed the mechanisms of the crime. Graves Without a Name searches for a path to peace. When a thirteen-year-old child, who lost the greater part of his family under the Khmer rouge, embarks on a search for their graves, whether clay or on spiritual ground, what does he find there? And above all, what is he looking for? Spectral trees? Villages defaced beyond recognition? Witnesses who are reluctant to speak? The ethereal touch of a brother or sister’s body as the night approaches? A cinematic movie that reaches well beyond the story of a country for that which is universal.
Graves Without a Name
Director
After The Missing Picture (Un Certain Regard winner 2013 and Oscar nominee for the Best Foreign Language Film in 2013) and Exile, Rithy Panh continues his personal and spiritual exploration. S21 the Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell analyzed the mechanisms of the crime. Graves Without a Name searches for a path to peace. When a thirteen-year-old child, who lost the greater part of his family under the Khmer rouge, embarks on a search for their graves, whether clay or on spiritual ground, what does he find there? And above all, what is he looking for? Spectral trees? Villages defaced beyond recognition? Witnesses who are reluctant to speak? The ethereal touch of a brother or sister’s body as the night approaches? A cinematic movie that reaches well beyond the story of a country for that which is universal.
Exile
Director
Exil is a visionary narration of the exile of Cambodians during the Red Khmer regime, during which the country was renamed Democratic Kampuchea.
The Roots Remain
Co-Producer
In an emotional tribute, Montreal graffiti artist Fonki returns to Cambodia to paint a giant mural of his relatives killed in the genocide. During his time there, he connects with a group of Cambodian youth who have also returned hoping to breathe new life into their destroyed culture.
France Is Our Mother Country
Director
If you would like to witness the forces of colonialism in brute action, Rithy Panh’s extraordinary new film provides the long view. A masterpiece of editing, the film assembles archival footage and antiqued title cards into a wordless recapturing of the Indochinese Empire, beginning with the early days of French occupation. In this prelapsarian age, everything is golden with promise. Ladies, in empire waist gowns and enormous hats, throw candies to local children. Great steamships carry French culture abroad, and the Tricolore flag flies on high.
Исчезнувшее изображение
Production Design
Победитель «Особого взгляда» Канн-2013, документальный фильм без документа: камбоджийский режиссер Ритхи Пань рассказывает о детстве, проведенном при Пол Поте в трудовом лагере, где погибли его родители и другие родственники. Хроники того времени почти не осталась (только официоз, снятый на пленку шосткинского объединения «Свема»), поэтому свидетелями обвинения становятся фигурки из пробкового дерева, при помощи которых Пань разыгрывает события почти сорокалетней давности. Потрясающий фильм об идеологии, памяти и ручейке культуры, который — сколько его ни прерывай — все равно прорвется и перетечет в будущее.
Исчезнувшее изображение
Editor
Победитель «Особого взгляда» Канн-2013, документальный фильм без документа: камбоджийский режиссер Ритхи Пань рассказывает о детстве, проведенном при Пол Поте в трудовом лагере, где погибли его родители и другие родственники. Хроники того времени почти не осталась (только официоз, снятый на пленку шосткинского объединения «Свема»), поэтому свидетелями обвинения становятся фигурки из пробкового дерева, при помощи которых Пань разыгрывает события почти сорокалетней давности. Потрясающий фильм об идеологии, памяти и ручейке культуры, который — сколько его ни прерывай — все равно прорвется и перетечет в будущее.
Исчезнувшее изображение
Screenplay
Победитель «Особого взгляда» Канн-2013, документальный фильм без документа: камбоджийский режиссер Ритхи Пань рассказывает о детстве, проведенном при Пол Поте в трудовом лагере, где погибли его родители и другие родственники. Хроники того времени почти не осталась (только официоз, снятый на пленку шосткинского объединения «Свема»), поэтому свидетелями обвинения становятся фигурки из пробкового дерева, при помощи которых Пань разыгрывает события почти сорокалетней давности. Потрясающий фильм об идеологии, памяти и ручейке культуры, который — сколько его ни прерывай — все равно прорвется и перетечет в будущее.
Исчезнувшее изображение
Director
Победитель «Особого взгляда» Канн-2013, документальный фильм без документа: камбоджийский режиссер Ритхи Пань рассказывает о детстве, проведенном при Пол Поте в трудовом лагере, где погибли его родители и другие родственники. Хроники того времени почти не осталась (только официоз, снятый на пленку шосткинского объединения «Свема»), поэтому свидетелями обвинения становятся фигурки из пробкового дерева, при помощи которых Пань разыгрывает события почти сорокалетней давности. Потрясающий фильм об идеологии, памяти и ручейке культуры, который — сколько его ни прерывай — все равно прорвется и перетечет в будущее.
Red Wedding
Producer
Between 1975 and 1979, at least 250,000 Cambodian women were forced into marriages by the Khmer Rouge. Sochan was one of them. At the age of 16, she was forced to marry a soldier who raped her. After 30 years of silence, Sochan decided to bring her case to the international tribunal set up to try former Khmer Rouge leaders.
Duch, Master of the Forges of Hell
Editor
Duch, Master of the Forges of Hell
Director of Photography
Duch, Master of the Forges of Hell
Writer
Duch, Master of the Forges of Hell
Director
The Catch
Director
When an American plane crashes in the Cambodian jungle, the pilot is taken captive by the Khmer Rouge. They instruct the kids of a village to keep an eye on the prisoner. While the younger kids gradually become friends with the stranger, the older boy called Pang has a different attitude. Since he grew up without parents, he accepted the Khmer rouge as his replacement parents and endears himself to them by betraying villagers. When Pang becomes responsible for watching the prisoner, things become worse for the pilot.
A Scale Boy
Producer
Kavich Neang’s first film is a short documentary following Sory Chan, a 14-year-old boy who is living in Phnom Penh apart from his family. A student of Cambodian classical music, Sory lives with his mother’s friend after his mother fled a debt she couldn’t afford to pay back. Each evening after class, he carries a scale outside in a popular part of the city and asks people to weigh themselves for a small amount of money. In this urgent film, we witness Sory’s day in class, his nightly routine and a particularly difficult conversation with his mother who he meets on the street.
The Sea Wall
Writer
The film centers around a young French widow and her two adolescent children attempt to carve out a meager life for themselves by farming rice fields alongside the ocean in French Indo-China in the 1930's. Their efforts are hampered each year by the presence of the sea, which invariably floods the fields with saltwater and wipes out the crops. In desperation, the mother realizes that their only hope lies in the construction of a sea wall to prevent continued flooding, but the mother must cut a swath through the local bureaucracy in an almost Sisyphean attempt to make this happen. Meanwhile, her obstinate daughter, Suzanne, draws the romantic obsessions of a well-to-do Chinese gentleman, Monsieur Jo; though he could easily provide a way out, the possibility of a romantic relationship between Jo and Suzanne could just as easily fall prey to local racial prejudices that would damage or ruin the lives of both.
The Sea Wall
Director
The film centers around a young French widow and her two adolescent children attempt to carve out a meager life for themselves by farming rice fields alongside the ocean in French Indo-China in the 1930's. Their efforts are hampered each year by the presence of the sea, which invariably floods the fields with saltwater and wipes out the crops. In desperation, the mother realizes that their only hope lies in the construction of a sea wall to prevent continued flooding, but the mother must cut a swath through the local bureaucracy in an almost Sisyphean attempt to make this happen. Meanwhile, her obstinate daughter, Suzanne, draws the romantic obsessions of a well-to-do Chinese gentleman, Monsieur Jo; though he could easily provide a way out, the possibility of a romantic relationship between Jo and Suzanne could just as easily fall prey to local racial prejudices that would damage or ruin the lives of both.
Paper Cannot Wrap Up Embers
Writer
During the last half-century, Cambodia has witnessed genocide, decades of war and the collapse of social order. Now, documentary filmmaker Rithy Panh looks at an irreparable tragedy that is less visible, yet no less pervasive: the spiritual death that results when young women are forced into prostitution. Angry and impassioned, PAPER CANNOT WRAP UP EMBERS presents the searing stories of poor Asian women whose lives were violated and their destinies destroyed when their bodies were turned into items of sexual commerce.
Paper Cannot Wrap Up Embers
Director
During the last half-century, Cambodia has witnessed genocide, decades of war and the collapse of social order. Now, documentary filmmaker Rithy Panh looks at an irreparable tragedy that is less visible, yet no less pervasive: the spiritual death that results when young women are forced into prostitution. Angry and impassioned, PAPER CANNOT WRAP UP EMBERS presents the searing stories of poor Asian women whose lives were violated and their destinies destroyed when their bodies were turned into items of sexual commerce.
The Burnt Theatre
Writer
A blend of fact and fiction, based on the actual lives of the actors, the film depicts a troupe of actors and dancers struggling to practice their art in the burned-out shell of Cambodia's former national theater, the Preah Suramarit National Theater in Phnom Penh.
The Burnt Theatre
Director
A blend of fact and fiction, based on the actual lives of the actors, the film depicts a troupe of actors and dancers struggling to practice their art in the burned-out shell of Cambodia's former national theater, the Preah Suramarit National Theater in Phnom Penh.
The People of Angkor
Director
In Angkor Wat, we follow a boy and his relationships with the people who live there, the ruins, and the tourists. The legends and magical stories depicted on the stones of the temple remains overlap with the reality of modern Cambodia. The lingering pain left by years of civil war, the gap between conditions in the cities and the countryside, and the thoughts of the boy who has lost sight of the future are conveyed at a leisurely rhythm with beautiful imagery that gently evokes emotion in the viewer.
S21: The Khmer Rouge Death Machine
Director of Photography
Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.
S21: The Khmer Rouge Death Machine
Screenplay
Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.
S21: The Khmer Rouge Death Machine
Camera Operator
Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.
S21: The Khmer Rouge Death Machine
Director
Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.
Que la barque se brise, que la jonque s'entrouvre
Director
A telefilm that describes the meeting between Cambodian restaurateur Bopha ("flower"), a survivor of the genocide of the Khmer Rouge, and a Vietnamese man named Mihn, a "boat people" refugee who drives a taxi at night and works as a deliveryman during the day for his uncle's grocery store.
The Land of the Wandering Souls
Writer
In 1999 a fibre-glas wire was installed from Thailand to Vietnam straight trough Cambodia. Rithy Panh shows us the work done in Cambodia to connect Khmer-society to "modern world". Farmers, soldiers and children work for a living there and unearthen skulls and bones -their remains from PolPot-regime you can see. The fear in their mind is portrayed by Rithy Panh in this documentary. As the other work done by Rithy Panh this deals with his people. I like it very much! The movie was awarded 1999 at "Visions du Réel" in Nyon (Switzerland) and at "Cinéma du Réel" in Paris.
The Land of the Wandering Souls
Director
In 1999 a fibre-glas wire was installed from Thailand to Vietnam straight trough Cambodia. Rithy Panh shows us the work done in Cambodia to connect Khmer-society to "modern world". Farmers, soldiers and children work for a living there and unearthen skulls and bones -their remains from PolPot-regime you can see. The fear in their mind is portrayed by Rithy Panh in this documentary. As the other work done by Rithy Panh this deals with his people. I like it very much! The movie was awarded 1999 at "Visions du Réel" in Nyon (Switzerland) and at "Cinéma du Réel" in Paris.
One Evening After the War
Writer
Set in the newly-pacified Phnom Penh, this film is about the return to civilian life of Cambodian soldiers.
One Evening After the War
Director
Set in the newly-pacified Phnom Penh, this film is about the return to civilian life of Cambodian soldiers.
Bophana: A Cambodian Tragedy
Director
Based upon documentation of forced confessions made during the Khmer Rouge era in Cambodia, this film reconstructs the relationship of a young woman, Hout Bophana, and Ly Sitha before they were tortured in executed in 1977.
The Rice People
Writer
A poor, rural Cambodian family slowly disintegrates during the cycle of a single rice crop in this moving, and beautifully photographed European drama adapted from a novel by Shahnon Ahmad. Pouev, his wife Om, and his seven children, live in a small rural village in Cambodia. Their whole precarious life depends upon the success of their rice crop. Both husband and wife are worried, but for different reasons. Pouev is concerned because their acreage is shrinking. Om worries about Pouev; what would happen to her and the children if he died or was injured? Her worst fear is manifest after Pouev steps upon a poisoned thorn and dies. Om finds herself heavily burdened with the responsibilities of maintaining the crop and caring for seven youngsters. She suffers paranoia from worrying about whether the children are doing their share and the other villagers lock her up leaving eldest daughter Sokha to bring in the crop.
The Rice People
Director
A poor, rural Cambodian family slowly disintegrates during the cycle of a single rice crop in this moving, and beautifully photographed European drama adapted from a novel by Shahnon Ahmad. Pouev, his wife Om, and his seven children, live in a small rural village in Cambodia. Their whole precarious life depends upon the success of their rice crop. Both husband and wife are worried, but for different reasons. Pouev is concerned because their acreage is shrinking. Om worries about Pouev; what would happen to her and the children if he died or was injured? Her worst fear is manifest after Pouev steps upon a poisoned thorn and dies. Om finds herself heavily burdened with the responsibilities of maintaining the crop and caring for seven youngsters. She suffers paranoia from worrying about whether the children are doing their share and the other villagers lock her up leaving eldest daughter Sokha to bring in the crop.
Cinéastes de notre temps: Souleymane Cissé
Director
Malian filmmaker Souleymane Cissé reveals his passion for cinema, Africa and the world to Cambodian director Rithy Panh.
Site 2
Writer
After having fled Pol Pot, Rithy Panh, a 15 year old Cambodian finds refuge at the Mairut camp in Thailand, in 1979. Ten years later, now a filmmaker, he returns to the camps to film the daily life of this threatened people. The peoples he meets, eaten away by inactivity, insecutity and the fear of being forgotten, have been waiting for a possible return to Cambodia.
Site 2
Director
After having fled Pol Pot, Rithy Panh, a 15 year old Cambodian finds refuge at the Mairut camp in Thailand, in 1979. Ten years later, now a filmmaker, he returns to the camps to film the daily life of this threatened people. The peoples he meets, eaten away by inactivity, insecutity and the fear of being forgotten, have been waiting for a possible return to Cambodia.
Wandering Souls
Filmmaker, Designer
Wandering Souls follows the mounting of a new stage production, Bangsokol: A Requiem for Cambodia, to honour the nearly 2 million Cambodians who died during the Khmer Rouge regime from 1975 to 1979. Commissioned by Cambodian Living Arts, the Requiem is a first-time collaboration between filmmaker Rithy Panh and composer Dr. Him Sophy. The film tracks the story of the Cambodian creators and musicians, as they work with an international team to bring the production to the world stage. Alongside the evolving stage production, the film tells the first-hand survival stories of the Cambodians involved in the Requiem, and their powerful will to reclaim an artistic heritage that disappeared during the four years of Pol Pot terror.