Steve Passeur

A dozen elegant people are gathered in a writer's desirable mansion. In the grand tradition of Agatha Christie, they all have something to hide.They begin a cruel game of truth, a game where you're not supposed to tell lies. As the questions become more and more intimate and precise, the tempers rise, while outside the storm is raging. Enter a hateful person (played by Paul Meurisse, the nasty headmaster in "Les Diaboliques") who seems to know a lot about them. Someone is murdered. Whodunit?

Anne seeks revenge on Jacques who betrayed her trust. She decides to poison him and the people close to him.

Out of love for an actress, Isabelle, the Baron de Sigognac joins a traveling troop en route to Paris. When an actor dies, he takes over his role: that of Captain Fracasse.

Vénus aveugle (Blind Venus) is a 1941 French film melodrama, directed by Abel Gance, and one of the first films to be undertaken in France during the German occupation. Although the film is not set in any specified period, Gance wanted it to be seen as relevant to the contemporary situation in France. He wrote, "...La Vénus aveugle is at the crossroads of reality and legend... The heroine ... gradually sinks deeper and deeper into despair. Only when she has reached the bottom of the abyss does she encounter the smile of Providence that life reserves for those who have faith in it, and she can then go serenely back up the slope towards happiness. If I have been able to show in this film that elevated feelings are the only force that can triumph over Fate, then my efforts will not have been in vain."

In pre-World Ward I in Paris, a budding artist, Pierre LeBlanc, falls in love and marries Janine, a dressmaker's assistant. Pierre has a flair for designing clothes, and he and his bride live in a blissful paradise, until the war breaks out and he becomes a soldier. Janine dies in childbirth and, no longer desiring to live, Pierre volunteers for a dangerous patrol behind German lines. While recuperating in the hospital from a wound he received on the mission, Pierre spends his time drawing sketches of dresses. He becomes rich and famous after the war. Years later, after devoting himself to his daughter, Pierre seeks a marriage with a girl no older than his daughter. A conflict develops and to ensure his daughter's happiness, Pierre sacrifices his own plans.

Story of the Siberian monk Gregory Rasputin and the hold he exerted over the court of the last Russian czar, Nicholas.

After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.

During the Rif War, a lieutenant commands a torpedo boat. He finds in an abandoned yacht, a beautiful portrait of a woman, and soon meets this one who is married to a brutal and jealous baron.

Вена, 1801 год. Две молодые девушки, обе ученицы Бетховена, влюблены в него. Причем он не замечает пылкого чувства Терезы — ну, или просто делает вид, что не замечает. Меж тем у него самого случается «большая любовь Бетховена» — ее зовут Джульетта. Но, увы, она предпочитает обвенчаться с графом. Оставив надежду на то, чтобы быть с любимым, постепенно теряя слух, Бетховен впадает в глубокую депрессию. В последние годы жизни мы видим композитора глухим, почти нищим, окруженным преданными друзьями и неблагодарным племянником.

A commander suspects his wife of infidelity, when she turns to a subordinate officer to help her against someone threatening to blackmail her about her troubled past.

French-language remake of Port Arthur (1936): espionage, action and romance in the Russo-Japanese War, as the conflict threatens Russian naval officer Boris Ranewsky and his Japanese wife Youki.

The many difficulties of a couple to harmonize, between the need for independence of one and the brutality of the other...