Ruy Costa
Рождение : 1909-01-01, Porto, Portugal
Смерть : 1980-12-31
Writer
Director
Writer
Screenplay
Alvarenga and Ranchinho have a law firm in a small village and go to Rio de Janeiro to hire artists for the village's radio station.
Screenplay
Director
Production Design
Professor Leônidas Jau is an enemy of football, and in conferences and articles he throws all his hatred against the sport. Friendenreich, his son, however, loves the sport. Leonidas then has a falling out with his son, which may be saved.
Editor
Professor Leônidas Jau is an enemy of football, and in conferences and articles he throws all his hatred against the sport. Friendenreich, his son, however, loves the sport. Leonidas then has a falling out with his son, which may be saved.
Writer
Professor Leônidas Jau is an enemy of football, and in conferences and articles he throws all his hatred against the sport. Friendenreich, his son, however, loves the sport. Leonidas then has a falling out with his son, which may be saved.
Director
Professor Leônidas Jau is an enemy of football, and in conferences and articles he throws all his hatred against the sport. Friendenreich, his son, however, loves the sport. Leonidas then has a falling out with his son, which may be saved.
Editor
A man in charge of a publicity campaign for bananas decides to kidnap the Queen of 'Bananaland', a tropical island paradise, and take her to Rio, where she falls in love with a member of Carmen Miranda's backing ensemble, 'Bando da Lua'.
Director
A man in charge of a publicity campaign for bananas decides to kidnap the Queen of 'Bananaland', a tropical island paradise, and take her to Rio, where she falls in love with a member of Carmen Miranda's backing ensemble, 'Bando da Lua'.
Art Direction
1939 Brazilian comedy.
Writer
Two authors go look for a business to finance their dream musical.
Production Design
Two authors go look for a business to finance their dream musical.
Editor
Two authors go look for a business to finance their dream musical.
Assistant Director
An astonishing creation, Limite is the only feature by the Brazilian director and author Mário Peixoto, made when he was just 22 years old. Inspired by a haunting André Kertész photograph on the cover of a French magazine, this avant-garde silent masterpiece centres on a man and two women lost at sea, their pasts unfolding through flashbacks propelled by the music of Erik Satie, Claude Debussy, Igor Stravinsky, and others. An early work of independent South American filmmaking, Limite was famously difficult to see for most of the twentieth century. It is a pioneering achievement that continues to captivate with its timeless visual poetry.
