Franco Bernini

A documentary-fiction that reconstructs the complex procedural path followed by the 1969 massacre through the point of view of Francesca Dendena, daughter of one of the victims and President of the Family Association of the victims of the Piazza Fontana massacre.

Pontedera, 1945. Enrico Piaggio's factory is in rubble. Piaggio feels the enormous responsibility that rests on his shoulders: the life of many families depends on his ability to create a new job. A project is beginning to form in his mind, a dream: to create a means of transport that is small, agile and economical, but capable of reviving mobility and boosting recovery. The road to affirmation, for Piaggio and its creature, is fraught with obstacles. An avid financier, Rocchi Battaglia, uses every means to take possession of the factory. Piaggio understands that his scooter, the Vespa, can and must become "the icon of rebirth" and so, when he learns that the American director William Wyler will shoot the film Roman Holiday (1953) in Italy, he sends Suso, a young and talented employee of the public office, to make contact with him to convince him to make the Vespa the "carriage of Cinderella" on which to make the two young and in love protagonists travel.

The story of the last 55 days of Aldo Moro, seen from the point of view of his students.

The last years of Italian judge Rocco Chinnici — who was instrumental in the battle against Cosa Nostra, laying the basis for the famous Antimafia Pool — before his assassination, as seen through the eyes of his daughter Caterina.

The last years of Italian judge Rocco Chinnici — who was instrumental in the battle against Cosa Nostra, laying the basis for the famous Antimafia Pool — before his assassination, as seen through the eyes of his daughter Caterina.

In post–WWII Italy, inspired industrialist Adriano Olivetti oversees the creation of the first all-Italian electronic calculator while theorizing a revolutionary business model based on the idea that profit should be reinvested for the benefits of the whole society. An utopian vision that catches the attention of powerful interests...

In post–WWII Italy, inspired industrialist Adriano Olivetti oversees the creation of the first all-Italian electronic calculator while theorizing a revolutionary business model based on the idea that profit should be reinvested for the benefits of the whole society. An utopian vision that catches the attention of powerful interests...

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

Set in Milan, where people's lives are invisibly lead by money in its different shapes: too much, too little, stolen, earned, visible and even impalpable. The money flows from one story to the next, from one person to the other, becoming the engine of the film.Everything moves around two antagonist characters: Ugo and Rita. Ugo is a banker involved in a not really clean business. Rita, the Finance Police officer, is a strong and obstinate woman in charge of capturing Ugo. Other characters wander around them, with their weaknesses and fragility, their goodness, their evil and their contradictions. Characters meet, clash, love and hate each other, their lust for money becomes intense feelings.

Security guard Guido attempts a robbery to solve his financial problems, but he's double-crossed by Antonella, the younger showgirl he left his wife for, who runs off with the money while he gets arrested. In prison, Guido is forcefully involved in the escape plans of two lifers, an old Moroccan and a Turkish gangster. Once out, he plans to find Antonella, who has since become a TV reporter, but things get complicated...

Security guard Guido attempts a robbery to solve his financial problems, but he's double-crossed by Antonella, the younger showgirl he left his wife for, who runs off with the money while he gets arrested. In prison, Guido is forcefully involved in the escape plans of two lifers, an old Moroccan and a Turkish gangster. Once out, he plans to find Antonella, who has since become a TV reporter, but things get complicated...

War and love. tears and laughter, the worst and the best that can happen to someone - in brief, life, in Rome, ruled by the Nazis, in 1943. The man in question is called Vittorio, Vittorio De Sica. Easy to speak well of him now, but then he was just a 'comedian', an actor without future, protégé of no-one: someone who could count only on himself and his own imagination. And, one day, a German patrol turns up on the movie set where he is working. They are looking for him, find him and take him away, to their commander who wants a word with him. Goebbels in person has written to him, sending him a request which is an order. De Sica is trapped, but...

Documentary about Italian screenwriting legends Agenore 'Age' Incrocci and Furio Scarpelli.

Иисус со своими учениками прибывает в Иерусалим. Народ приветствует его, как своего Царя. Иуда родился и вырос в этом городе. Теперь же, шествуя рядом с Иисусом, он полон энергии и счастлив, ведь обещано, что новое Царство грядет, наконец-то, страна будет избавлена от ненавистных римлян. Им даже не нужно оружие, с ними Мессия, а потому, и вся сила Бога. Но Иисус в этом городе начинает совершать поступки, противоречащие ожиданиям Иуды. К тому же, римляне и Синедрион только и ждут подходящего случая, чтобы расправиться с Мессией.

Two deadbeat friends see the opportunity of turning their fortune around after they come into possession of a precious stolen relic, the tongue of St. Anthony of Padua.

Two deadbeat friends see the opportunity of turning their fortune around after they come into possession of a precious stolen relic, the tongue of St. Anthony of Padua.

This tense thriller begins in the office of Claudia, a psychoanalyst whose sister was killed in a terrorist attack. Her newest client is Tancredi. He says that he is a journalist and that he suffers from having witnessed numerous atrocities in Bosnia. The events he describes sound just like those of Brescia, and Claudia, who still grieves for her sister, begins to wonder if Tancredi is telling the truth. Her investigation proves that he is lying, but it leads her to wonder why he has chosen her as his psychoanalyst. After talking to her husband, Claudia visits her old mentor who suggests she continue working with Tancredi but warns her not to call in the police. After that the story frequently jumps to 1998. By then Claudia and her newborn baby have become part of the witness protection program and she is preparing to testify against those involved in covering up government-sponsored terrorist activity.

Italian Made-for-TV film by Alberto Negrin.

During a hot Sunday afternoon in a small Southern Italian town, a school serving as a polling place is occupied by a group of three locals and an Eritrean immigrant, all unemployed, desperate and armed.

During a hot Sunday afternoon in a small Southern Italian town, a school serving as a polling place is occupied by a group of three locals and an Eritrean immigrant, all unemployed, desperate and armed.

A neurotic lawyer is split between the desire to stay faithful to his fiancée and the one to cheat on her. Things take a turn for the literal when one night he splits into two different versions of himself, a soon-to-be-married one and a confirmed bachelor one.

Молодой французский офицер находит таинственный символ креста, высеченный на одной из скал в пустыне Сахара. Символ креста начертан рядом с именем Антинеи, легендарной королевы, некогда правящей Атлантидой. Отправившись на поиски мифической страны офицер исчезает.

Saverio, a dentist, comes out as naive as usual while he falls in love with Alia, a Russian immigrant he met in Rome. He must now deal with issues a guy like him would never have thought to come across.

Saverio, a dentist, comes out as naive as usual while he falls in love with Alia, a Russian immigrant he met in Rome. He must now deal with issues a guy like him would never have thought to come across.

Saverio, a dentist, comes out as naive as usual while he falls in love with Alia, a Russian immigrant he met in Rome. He must now deal with issues a guy like him would never have thought to come across.

No-nonsense workaholic Marco runs the family business along with his older brother. When the latter suddenly disappears, Marco has to put aside his job and family to search for him together with Elena, his brother's girlfriend.

Cesare Botero, an ambitious and corrupt young minister, hires a new spokesman, honest and polite high school professor Luciano Sandulli.

Crossword-solving waitress Gloria falls for a womanizing TV repairman.

Crossword-solving waitress Gloria falls for a womanizing TV repairman.

Michele is a Communist MP who loses his memory in a car crash—although nobody seems to notice it. During a water polo match ahead of election day, he starts to remember his past life, revealing the picture of a man whose personal and political identity crisis mirrors the one of Italian communism.

В довоенной клирико-фашистской Венеции два мальчика растут в среде, пропитанной конформизмом взрослых.

1848, Tuscan countryside. Edo and Lupo are two peasants running away after having robbed their boss. Chased by mercenaries, they'll meet bandits, damsels in distress, eccentric nobles, and revolutionaries along the way.

1848, Tuscan countryside. Edo and Lupo are two peasants running away after having robbed their boss. Chased by mercenaries, they'll meet bandits, damsels in distress, eccentric nobles, and revolutionaries along the way.

Otello Morsiani, a north-eastern-italian lawyer, takes the job of estimating land holdings on the Po Delta, which are intended to be expropriated to make way for a national park. The lawyer soon discovers that in that area, once target of methane extraction, the soil is now at risk to sink, due to hydrogeological disturbance: in the meanwhile, he also digs out a mystery tied to a death dating back twenty years before.

Otello Morsiani, a north-eastern-italian lawyer, takes the job of estimating land holdings on the Po Delta, which are intended to be expropriated to make way for a national park. The lawyer soon discovers that in that area, once target of methane extraction, the soil is now at risk to sink, due to hydrogeological disturbance: in the meanwhile, he also digs out a mystery tied to a death dating back twenty years before.