Gabriel Martins
Рождение : 1987-01-01, Contagem, Minas Gerais, Brazil
История
Gabriel Martins, known in the cinema as Gabito, was born in the city of Contagem, in the state of Minas Gerais in Brazil. He studied Cinema, Video and Photography at Centro Universitário UNA. He debuted as editor and cinematographer of the short film Fantasmas (2010), directed by André Novais Oliveira.
His career as a director began with the short film Meu Amigo Mineiro (2012). He achieved fame in the national cinematographic scene by leading one of the segments of the episodic feature O Nó do Diabo (2018) and being one of the directors of No Coração do Mundo (2019). He is one of the partners of the production company Filmes de Plastic.
Editor
The Martins family are optimistic dreamers, quietly leading their lives in the margins of a major Brazilian city following the disappointing inauguration of a far-right extremist president. A lower-middle-class Black family, they feel the strain of their new reality as the political dust settles. Tércia, the mother, reinterprets her world after an unexpected encounter leaves her wondering if she’s cursed. Her husband, Wellington, puts all of his hopes into the soccer career of their son, Deivinho, who reluctantly follows his father’s ambitions despite secretly aspiring to study astrophysics and colonize Mars. Meanwhile, their older daughter, Eunice, falls in love with a free-spirited young woman and ponders whether it’s time to leave home.
Writer
The Martins family are optimistic dreamers, quietly leading their lives in the margins of a major Brazilian city following the disappointing inauguration of a far-right extremist president. A lower-middle-class Black family, they feel the strain of their new reality as the political dust settles. Tércia, the mother, reinterprets her world after an unexpected encounter leaves her wondering if she’s cursed. Her husband, Wellington, puts all of his hopes into the soccer career of their son, Deivinho, who reluctantly follows his father’s ambitions despite secretly aspiring to study astrophysics and colonize Mars. Meanwhile, their older daughter, Eunice, falls in love with a free-spirited young woman and ponders whether it’s time to leave home.
Director
The Martins family are optimistic dreamers, quietly leading their lives in the margins of a major Brazilian city following the disappointing inauguration of a far-right extremist president. A lower-middle-class Black family, they feel the strain of their new reality as the political dust settles. Tércia, the mother, reinterprets her world after an unexpected encounter leaves her wondering if she’s cursed. Her husband, Wellington, puts all of his hopes into the soccer career of their son, Deivinho, who reluctantly follows his father’s ambitions despite secretly aspiring to study astrophysics and colonize Mars. Meanwhile, their older daughter, Eunice, falls in love with a free-spirited young woman and ponders whether it’s time to leave home.
Director
Editor
Editor
The construction of a community goes far beyond its erected walls and masonry bricks: it lies in the everyday invention of the commonplace, of life shared in its struggles and victories. Stemming from this premise, this debut feature film (by the directors of Na Missão com Kadu) documents the daily life of the urban occupation Eliana Silva, in the city of Belo Horizonte, on the eve of the 2018 elections. Seen from the inside, the hard-won territory becomes a protagonist as much as its residents, as they talk about political activism, companionship, love. Along with the records and personal testimonies is the (re)invention of subjectivity through art, going up against the totalizing narratives that reduce their existence to a newspaper news story.
Director
Director of Photography
Editor
Жители бразильского города Контагем хотят лучшей жизни. В центре сюжета Сельма, женщина, которая мечтает уехать в "сердце мира" - место, в котором она будет счастлива.
Writer
Жители бразильского города Контагем хотят лучшей жизни. В центре сюжета Сельма, женщина, которая мечтает уехать в "сердце мира" - место, в котором она будет счастлива.
Director
Жители бразильского города Контагем хотят лучшей жизни. В центре сюжета Сельма, женщина, которая мечтает уехать в "сердце мира" - место, в котором она будет счастлива.
Director
Brazil, 1930. Marcos and his family (descendants of slaves) left the Jequitinhonha Valley for the Mucuri Valley. Fleeing from the drought, hunger and violence in the countryside, the "quilombolas" sought a new territory to build their community. Decades later, when everything seems to be in peace, a huge construction company wants to build a dam in Marques' territory.
Editor
Director of Photography
Editor
After having invaded liquid, gaseous and solid substances, a strange voice takes possession of a woman's body and for the first time experiences the taste of something truly human. Together, the voice and the body seek for belonging and an identity of their own as they question their roles within society.
Editor
In order to take a new job as an employee in the public sanitation department, Juliana moves from the inner city of Itaúna to the metropolitan town of Contagem in Brazil. While waiting for her husband to join her, she adapts to her new life, meeting people and discovering new horizons, trying to overcome her past.
Editor
Set shortly after former President Dilma Rousseff’s impeachment, Control Plan follows a young Brazilian woman who uses her cell phone’s teleportation service to flee the country.
Director
В Бразилии во времена рабства ферма по выращиванию и обработке сахарного тростника была настоящим каторжным и страшным местом для каждого чернокожего человека. По прошествии многих лет аура мрачного прошлого не оставила эту территорию, а произошедшая серия смертей вновь распутывает клубок мрачных событий. Фильм разделен на пять коротких страшилок.
Producer
Bia just turned eighteen. The end of the year is coming and also the ACTs. People at school and Bia’s parents are pressuring her to decide which graduation she will apply for. Bia doesn’t want to do anything.
Writer
Bia just turned eighteen. The end of the year is coming and also the ACTs. People at school and Bia’s parents are pressuring her to decide which graduation she will apply for. Bia doesn’t want to do anything.
Director
Bia just turned eighteen. The end of the year is coming and also the ACTs. People at school and Bia’s parents are pressuring her to decide which graduation she will apply for. Bia doesn’t want to do anything.
Editor
Four city workers in their daily important relationships. A worker in the field of the Landless Rural Workers Movement. Poetry plucked like weed from the soil of our time.
Editor
Editor
Director of Photography
A naturalistic film about the non-traditional relationship of lovers Mila, Igor, and Gilmar that shuns convention, instead embracing love in all its dazzling iterations.
Editor
With its obvious simplicity, the film’s title happens to set the mood of the film, or at least its guiding principle: staying anchored in everyday life. More precisely, the life of Maria José and Norberto, who have been married for 35 years and who live in Contagem, in the suburbs of Belo Horizonte. Their marriage is on the rocks, which leads their two sons to also wonder about the future of their own relationships with their wives. The story is quite ordinary. How can one capture such an impercep- tible shift in the heart of the banality of things, only made more noticeable by a crisis? Filming his own family, his own parents, his brother and himself, André Novais Oliveira has chosen to take his time. He shots long sequences, leaving enough time for the fictional situations on which he puts his characters to grow and unfold. Then he uses wide frames to linger on more mundane, concrete or at times farcical moments: eating an orange, cooking, watching television...
Producer
With its obvious simplicity, the film’s title happens to set the mood of the film, or at least its guiding principle: staying anchored in everyday life. More precisely, the life of Maria José and Norberto, who have been married for 35 years and who live in Contagem, in the suburbs of Belo Horizonte. Their marriage is on the rocks, which leads their two sons to also wonder about the future of their own relationships with their wives. The story is quite ordinary. How can one capture such an impercep- tible shift in the heart of the banality of things, only made more noticeable by a crisis? Filming his own family, his own parents, his brother and himself, André Novais Oliveira has chosen to take his time. He shots long sequences, leaving enough time for the fictional situations on which he puts his characters to grow and unfold. Then he uses wide frames to linger on more mundane, concrete or at times farcical moments: eating an orange, cooking, watching television...
Director of Photography
With its obvious simplicity, the film’s title happens to set the mood of the film, or at least its guiding principle: staying anchored in everyday life. More precisely, the life of Maria José and Norberto, who have been married for 35 years and who live in Contagem, in the suburbs of Belo Horizonte. Their marriage is on the rocks, which leads their two sons to also wonder about the future of their own relationships with their wives. The story is quite ordinary. How can one capture such an impercep- tible shift in the heart of the banality of things, only made more noticeable by a crisis? Filming his own family, his own parents, his brother and himself, André Novais Oliveira has chosen to take his time. He shots long sequences, leaving enough time for the fictional situations on which he puts his characters to grow and unfold. Then he uses wide frames to linger on more mundane, concrete or at times farcical moments: eating an orange, cooking, watching television...
Director of Photography
Zilda has had to put up with too much crap and she ain't taking it anymore.
Editor
Zilda has had to put up with too much crap and she ain't taking it anymore.
Writer
Director
Director of Photography
Another day in the life of an elderly couple in the suburbs.
Director of Photography
Luiza will turn 15. Raquel has some dreams.
Writer
Five undercover cops at Complexo do Alemão, one of Rio de Janeiro's most dangerous areas, have their covers blown by drug dealers. Arrested, they wait execution or to be rescued by police forces that would risk expose a larger operation.
Director of Photography
"At nature nothing is lost, nothing is created, everything is transformed."
"At nature nothing is lost, nothing is created, everything is transformed."
Producer
"At nature nothing is lost, nothing is created, everything is transformed."
Writer
"At nature nothing is lost, nothing is created, everything is transformed."
Editor
"At nature nothing is lost, nothing is created, everything is transformed."
Director
"At nature nothing is lost, nothing is created, everything is transformed."
Sound
Editor
Pilo, Panda and Isaac are childhood friends. One of them decides to ask his girlfriend to marry him at sameday the other two learn she is cheating on him with her gym instructor
Director
Pilo, Panda and Isaac are childhood friends. One of them decides to ask his girlfriend to marry him at sameday the other two learn she is cheating on him with her gym instructor
Director of Photography
Andre and Elida are dating for a short time. In real life and in fiction.
Director of Photography
Father, forgive them as they don't know whay they do!
Director
Writer
Director
Dona Sônia seeks revenge for the death of her only son.
Director of Photography
An event, four people and the city of Contagem.
Editor
An event, four people and the city of Contagem.
Producer
An event, four people and the city of Contagem.
Sound Editor
An event, four people and the city of Contagem.
Writer
An event, four people and the city of Contagem.
Director
An event, four people and the city of Contagem.
Editor
A man waits on the top of his house's roof with his friend. They are talking to each other until this friend realises something quite strange.
Director of Photography
A man waits on the top of his house's roof with his friend. They are talking to each other until this friend realises something quite strange.
Director
A look at the rock band Pelos de Cachorro.
Director
An elderly woman films what she doesn't want to forget.
Director
Director
My meeting with the end of the world.
Director
It's Saturday morning and André has had an idea...