Writer
To promote their book Bosnian Flat Dog, Swedish comics creators Max Andersson and Lars Sjunnesson tour the countries of former Yugoslavia with a mummified Marshal Tito in a refrigerator. They encounter a number of artists, musicians, publishers and other characters populating the post-Yugoslav indie cultural scene. As the journey continues through increasingly improbable surroundings, the protagonists begin to question themselves and the reality they find themselves in. Watching border controls turn into improvised snapshot sessions, admiring mutant iron-curtain Disney toys, buying souvenir grenade shell handicrafts and discovering sniper art in blown-out apartments, they find that truth may indeed be stranger than fiction.
Director
To promote their book Bosnian Flat Dog, Swedish comics creators Max Andersson and Lars Sjunnesson tour the countries of former Yugoslavia with a mummified Marshal Tito in a refrigerator. They encounter a number of artists, musicians, publishers and other characters populating the post-Yugoslav indie cultural scene. As the journey continues through increasingly improbable surroundings, the protagonists begin to question themselves and the reality they find themselves in. Watching border controls turn into improvised snapshot sessions, admiring mutant iron-curtain Disney toys, buying souvenir grenade shell handicrafts and discovering sniper art in blown-out apartments, they find that truth may indeed be stranger than fiction.
To promote their book Bosnian Flat Dog, Swedish comics creators Max Andersson and Lars Sjunnesson tour the countries of former Yugoslavia with a mummified Marshal Tito in a refrigerator. They encounter a number of artists, musicians, publishers and other characters populating the post-Yugoslav indie cultural scene. As the journey continues through increasingly improbable surroundings, the protagonists begin to question themselves and the reality they find themselves in. Watching border controls turn into improvised snapshot sessions, admiring mutant iron-curtain Disney toys, buying souvenir grenade shell handicrafts and discovering sniper art in blown-out apartments, they find that truth may indeed be stranger than fiction.
killer.berlin.doc combines a documentary realism focussing on Berlin with a fictional narrative about ten people playing a game of 'killer'. In the game, no-one knows the others' identify and each is both perpetrator and victim. This cyclical element and the seemingly random exploration of different characters is reminiscent of the non-linear pathways of interactives.
Director
Jelenski and Buttgereit delight us once again with a collection of selected bizarre things that even add one more to the first part.
Writer
Jelenski and Buttgereit delight us once again with a collection of selected bizarre things that even add one more to the first part.
Editor
Stop motion music video for Andersson's band.
Animation
Stop motion music video for Andersson's band.
Writer
Stop motion music video for Andersson's band.
Director
Stop motion music video for Andersson's band.
Producer
In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.
Writer
In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.
Martyr
In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.
Lolita's Boyfriend
In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.
Animation
In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.
Editor
In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.
Director
In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.
Animation
Combined cel/cutout animation exploring the relationship between two tiny characters living at the bottom of a giant film frame.
Director of Photography
Combined cel/cutout animation exploring the relationship between two tiny characters living at the bottom of a giant film frame.
Director
Combined cel/cutout animation exploring the relationship between two tiny characters living at the bottom of a giant film frame.
Screenplay
Combined cel/cutout animation exploring the relationship between two tiny characters living at the bottom of a giant film frame.
Cinematography
A short animation set to and inspired by The Cure's One Hundred Years. Max Anderssons debut animation film won 1st Prize at Melbourne international Film Festival, 2nd Prize at Los Angeles Animation Celebration and a special prize at Berlin Film Festival.
Writer
A short animation set to and inspired by The Cure's One Hundred Years. Max Anderssons debut animation film won 1st Prize at Melbourne international Film Festival, 2nd Prize at Los Angeles Animation Celebration and a special prize at Berlin Film Festival.
Director
A short animation set to and inspired by The Cure's One Hundred Years. Max Anderssons debut animation film won 1st Prize at Melbourne international Film Festival, 2nd Prize at Los Angeles Animation Celebration and a special prize at Berlin Film Festival.
