Naomi (Makoto Nishiyama), who returned to a small town because her adoptive father was about to die, met her brother-in-law, Hiroyuki (Hideyuki Kamada), again. Both of them have a history of becoming a man and woman, and Naomi feels an uncontrollable feeling for Hiroyuki. After that, she reunited with her childhood friend Yoshio (Yuya Matsuura) who also returned to the town....
The man feels nostalgic when he sees the coastal townscape he hasn't seen in a long time, and when he heads to the beach, his ex is waiting for him. Although he is a model now, he was still in his infancy at the time, and it was thanks to his lover, a government official, that the fire was ignited...but that lover was also demoted and there was no sign of him looking back...
Oki
Sex Machine tells of the affable but simple Hiroshi, who during one sweltering summer in a small, parochial town, moves in with his girlfriend, Haruka. Their lovemaking is as athletic as it is bizarre but a dark storm comes looming when Haruka's ex boyfriend comes knocking at the door.
After the death of his wife, Yukio has become more and more paranoid, believing that he is being followed and watched at all times. Yukio's late wife, before her death, was seeing and sleeping with another man. Not only did Yukio know about the affair, he would watch them have sex. Unbeknownst to his wife, his peeping on her became like a fetish. As the film progresses, Yukio goes to see a counselor to try and figure out his phobia and discover his deep repressed thoughts about his wife. In comes Akemi, Yukio's ex-girlfriend from almost a decade prior. Akemi is unhappy with her marriage and seeks the warm embrace of Yukio, which only furthers his descent into madness.
Murakami's partner Mayumi has gone missing. He fears that she could have run off with another guy or gotten into difficulty by involving by herself with a 'telephone relationship club', a solution which hooks up strangers trying to find easy, anonymous sex, no concerns asked.
Takahashi moves into a new apartment after a divorce and as she tries to settle in, finds that she is having strange and violent dreams and weird things keep happening in her apartment. Her neighbour likes to listen to her through the wall, and becomes increasingly sensitive to her thoughts and feelings. A scientist father and son also live in the building; the son has an obsession with prosthetic body parts.
No Good Men follows Kumiko, a young and attractive woman that works at a travel agency, and moonlights as an insatiable, sex-hungry mistress.
A fugitive man and woman (Kawase, Kawana) come to an island to retrieve their son (Iwasaki), who the woman has given to a foster family, but the son's foster parents are policemen (Ito)... The suspense surrounding the retrieval of the son is made unusual by the location shooting on the vast and desolate Miyakejima Island and leads to an allegorical drama about the essential desires of human beings. This was Kawase Yota's first appearance in a Zeze film, and he has since become a regular actor. The title of the film at the time of its first release was Sukebe Tenkomori.
Cult director Hisayasu Sato explores the sexual exploits of several women through the adventures of a young girl, who's fled her sexually abusive father, and an unhappy housewife. Looking for a fresh start, the women find each other, steal a bag of money and try to escape their pasts. In their flight, they encounter everything from adult babies to sword-wielding madams.
There was a man, a novelist, who had unavoidably turned his hand to sensual novels for a living, but now made a living out of it. One morning while jogging, he picks up a lighter and cigarettes dropped by a bookstore owner, and decides to deliver them to the store. When there is no answer to the doorbell, he goes to the back of the store and looks in the slightly open window to find the owner tying up a female clerk and engaging in SM play.
A convicted rapist, Ikuo is released from prison and goes in pursuit of the woman he raped, Mieko. So obsessed is he with revenge he sees her in every woman he meets. After carrying out vicious attacks on a prostitute and a young girl he finally comes face to face with her.
A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.
Cult filmmaker Hisayasu Sato's second comedy of the year, this silly softcore effort stars pretty Nao Kikuchi as a young married woman who takes a job at a call-girl agency with the mistaken belief that it is a maid service. After she is raped on her first assignment, Kikuchi is understandably shocked, but quickly warms to her new career and becomes quite the professional. Unfortunately, her husband soon discovers the true nature of her work.
A harrowing S&M roughie from erratic cult filmmaker Hisayasu Sato, this gay-themed pinku-eiga entry deals with an abused man who literally turns into an insect. Naturally, Sato borrows heavily from Franz Kafka's {-Metamorphosis} and several of his other works, but the overall effect is far more Sadean than Kafkaesque.
