Producer
VOLUME ZERO is an hour-long documentary on the work and the ideas of Charles Correa, one of the world’s most important architects. It deals with his childhood, architectural training, formative years and the paradigm underlying his large and complex oeuvre spanning over five decades – as well as his pivotal role in addressing issues of urbanization in the Developing World. It uses first person narration by the filmmaker, combined with extended excerpts of interviews with Correa, live action, stills, diagrams, animation and archival footage to open up the thought processes that generate architectural space and form.
Director
VOLUME ZERO is an hour-long documentary on the work and the ideas of Charles Correa, one of the world’s most important architects. It deals with his childhood, architectural training, formative years and the paradigm underlying his large and complex oeuvre spanning over five decades – as well as his pivotal role in addressing issues of urbanization in the Developing World. It uses first person narration by the filmmaker, combined with extended excerpts of interviews with Correa, live action, stills, diagrams, animation and archival footage to open up the thought processes that generate architectural space and form.
Director
A film on the work and ideas of the world renowned architect Charles Correa, using interviews, live action, stills, diagrams, animation and archival footage to open up the thought process that generates architectural space and form.
Director
Kintoo, a nine-year-old boy, learns from his friend Baba that his grandfather's favourite book was 'Arabian Nights'. Kintoo finds the book at his uncle's house and decides to take it to Baba.
Director
Rasikapriya’ is a cinematic exploration- the camera's desperate attempt to "see" music. The journey becomes a meditation on Indian rock paintings, sculpture, nature and cities and what the camera manages to create is a canvas of vivid calligraphic designs that often allude to poetry and rhythms of Indian classical music.
Director
Located in a seaside village in Maharashtra during the 60s, the film unfolds over two decades. It is a tragic tale of how the best of friendships can rupture over a trivial quarrel. Once a rupture takes place, there are always people who know how to turn a quarrel to their own advantage, even if the main adversaries are completely destroyed in the process.
Script
A holistic view of the classical dance form of Bharatanatyam.
Director
A holistic view of the classical dance form of Bharatanatyam.
Director
A film about three of our leading visual artists, Bhupen Khakar, Nalini Malani and Vivan Sundaram. It takes, as its point of departure, a glass mural on which all three were working, then zeros into each of them. It links them to their physical and mental worlds through cinematic devices like associative sounds, variable light and montage. Compositionally, the visuals aim to link with the styles of each artist, as well as the larger narrative traditions of India.
Director
Shama and Ravi are members of a Marxist party. Shama loves classical Indian music, a luxury of a few, and Ravi is in love with quotations and the philosophy of Marx - a need of the masses. Due to a strike, Ravi is compelled to work full-time for the party. Shama decides to give up music reluctantly and joins Ravi.
Kalidasa
A literary film based on a play in three acts, Ashad Ka Ek Din portrays the love of Mallika and Kalidasa, the renowned Sanskrit poet and dramatist. Vilom, a friend to both and interested in Mallika, is a passive onlooker for the first two acts. Kalidasa leaves his verdant mountain valley home for the splendour of far off Ujjain, where he wins fame. The action of the film is rooted in the village to which Kalidasa returns years later and finds Mallika married to Vilom and the mother of his child. Mallika sacrificed her love so that the poet could pursue his muse.
