Mikhail Fiksel

If there’s one thing Americans can agree on, it’s that 2020 was not the best way to begin a new decade. With guts and humor, punctuated with story and song, Ike Holter asks who we are in a world on the brink of explosion in this rallying cry for our times.

A vivid, dynamic Southern coming-of-age drama, takes place in the transitional space between high school and college, when life seems to be all questions and no answers, and the future is scarily wide open. Set in and around a Charleston, SC Baptist church, weaving through this ensemble piece are three main characters - Brea, an introspective pastor's daughter experiencing debilitating doubt, the hyperactive Laura, Brea's best friend and a devout believer, and Tim, the open-hearted son of a single father, confronting his homosexuality for the first time. Tensions and buried feelings abound, as colleges are chosen and adults behave badly, as Brea, Laura and Tim attempt to hang onto what they have, all the while yearning to break free.

Someone sends Jonathan a snarky e-mail. Two naked students, apparently making love at the time, fell off the roof of a campus building in Chicago and were killed. Jonathan is appalled that anyone could find this funny. In the painfully true opening scenes of "In Memoriam," he cannot get the deaths out of his mind. He's driven to begin what he calls an "investigation" into who the students were and what led them to the rooftop.

A new theatrical film recorded in one live, uninterrupted take—declared "a juicy, fast-paced look at rivalry" by Chicago Tribune. Overlooked and betrayed, Banquo had a rough go of it in Shakespeare’s Macbeth. Now, reexamine the “Scottish Play” through the eyes of the title character’s murdered best friend. Banquo considers how he might have responded to the prophesies of the Weird Sisters had he been in Macbeth’s position—questioning his own motives, desires, and temptations. Tim Crouch’s I, Banquo is staged by Marti Lyons, one of the most sought-after directors in American theater with extensive credits at DC’s Studio Theater, Woolly Mammoth Theatre Company, Writers Theatre, and American Players Theatre.