Matjaž Ivanišin

At the end of the summer, while preparations for an air show are taking place in the sky, a man and a woman go to the water. But the arrival of a legendary aerobatic pilot will not be the event of the day for them.

At the end of the summer, while preparations for an air show are taking place in the sky, a man and a woman go to the water. But the arrival of a legendary aerobatic pilot will not be the event of the day for them.

Когда человек по имени Орослан умирает, новость об этом быстро распространяется по маленькой деревне. Вызванные скорбью действия превращаются в слова, а слова — в истории. Это первый игровой фильм документалиста Матьяжа Иванишина, для стиля которого характерна работа с разрывами и диссонансами в повествовании.

Когда человек по имени Орослан умирает, новость об этом быстро распространяется по маленькой деревне. Вызванные скорбью действия превращаются в слова, а слова — в истории. Это первый игровой фильм документалиста Матьяжа Иванишина, для стиля которого характерна работа с разрывами и диссонансами в повествовании.

A documentary essay about the relationships among Mediterranean men and their games. The film takes the form of a travelogue across Croatia, Italy, Slovenia and Turkey, and examines men, young and old, who come together like their ancestors did – to play games. During filming, however, the director suddenly faces a serious creative crisis and turns the camera on himself, turning the film into a playful homage to absurdity.

A documentary essay about the relationships among Mediterranean men and their games. The film takes the form of a travelogue across Croatia, Italy, Slovenia and Turkey, and examines men, young and old, who come together like their ancestors did – to play games. During filming, however, the director suddenly faces a serious creative crisis and turns the camera on himself, turning the film into a playful homage to absurdity.

A film about a theatre performance and four very notable people behind it: writer and director D. Jovanović, actress M. Zupančič and actors R. Polič and B. Cavazza. This is a story of a love triangle and of a multi-layered, entirely overt intertwining of protagonists’ public artistic personas and their personal lives. The film documents a 4-month process of the making of a theatre piece from the first rehearsal to the opening night, at the same time uncovering the intimate lives of the artists and telling a universal story of the relationship between the real and the imagined, a story of personal and public perceptions of art.

A film about a theatre performance and four very notable people behind it: writer and director D. Jovanović, actress M. Zupančič and actors R. Polič and B. Cavazza. This is a story of a love triangle and of a multi-layered, entirely overt intertwining of protagonists’ public artistic personas and their personal lives. The film documents a 4-month process of the making of a theatre piece from the first rehearsal to the opening night, at the same time uncovering the intimate lives of the artists and telling a universal story of the relationship between the real and the imagined, a story of personal and public perceptions of art.

The directors give voice to the locals to depict the life in a small village in the Štajerska region as experienced by them in the summer of 2014.

The directors give voice to the locals to depict the life in a small village in the Štajerska region as experienced by them in the summer of 2014.

Karpotrotter is a road movie about place, time, and memory, as well as an homage to filmmaker Karpo Godina, whose work flourished during the Black Wave of Yugoslav filmmaking in the late 1960s and early 1970s. Contemporary filmmaker Matjaz Ivanisin retraces the footsteps, 40 years later, of his compatriot’s road trip through small villages in the rural countryside. Constructed from Godina’s 8mm footage from this journey, Ivanisin interlaces this material with landscape footage from his current road trip and contemporary interviews of the citizenry who recall Godina’s visit decades earlier; period folkloric music augments the soundtrack. The filmmaker structures his film in five sections that articulate the local character of different villages. Richly multi-layered in both temporal and spatial terms, the filmmaker constructs a poignant meditation about the local village culture and inhabitants of this rural region of the former Yugoslavia.

Karpotrotter is a road movie about place, time, and memory, as well as an homage to filmmaker Karpo Godina, whose work flourished during the Black Wave of Yugoslav filmmaking in the late 1960s and early 1970s. Contemporary filmmaker Matjaz Ivanisin retraces the footsteps, 40 years later, of his compatriot’s road trip through small villages in the rural countryside. Constructed from Godina’s 8mm footage from this journey, Ivanisin interlaces this material with landscape footage from his current road trip and contemporary interviews of the citizenry who recall Godina’s visit decades earlier; period folkloric music augments the soundtrack. The filmmaker structures his film in five sections that articulate the local character of different villages. Richly multi-layered in both temporal and spatial terms, the filmmaker constructs a poignant meditation about the local village culture and inhabitants of this rural region of the former Yugoslavia.