Consulting Producer
В 1973 году в США увидел свет первый лесбийский комикс под названием Come Out Comix — и после этого мир американских квир-комиксов уже не был прежним. Режиссёрка Вивиан Кляйман предлагает зрителю совершить путешествие в удивительный жанр, собрав в своем документальном фильме истории пяти пионеров этого искусства, рассказанные ими самими.
Director
Just over the border in Mexico is an area peppered with maquiladoras: massive sweatshops often owned by the world's largest multinational corporations. Carmen and Lourdes work at maquiladoras in Tijuana, and it is there that they try to balance the struggle for survival with their own radicalization in this documentary.
Director
Documentary look at the 1996-97 effort of the dancers and support staff at a San Francisco peep show, The Lusty Lady, to unionize. Angered by arbitrary and race-based wage policies, customers' surreptitious video cameras, and no paid sick days or holidays, the dancers get help from the Service Employees International local and enter protracted bargaining with the union-busting law firm that management hires. We see the women work, sort out their demands, and go through the difficulties of bargaining. The narrator is Julia Query, a dancer and stand-up comedian who is reluctant to tell her mother, a physician who works with prostitutes, that she strips.
Director
Documentary about the life of Paulina, a middle-aged maid from Mexico living in the US.
Producer
How does a woman’s body move? skin•es•the•si•a scrambles the cultural codes of female movement by juxtaposing images from the work of performance artist Hannah Sim with images of Sim working as a nude dancer in a peep show. It explores the rapport between one woman’s body and two performance environments. How are women perceived and typed through our own physical movements? What might a response of power to these codes and norms look like? What do we discover by embracing our otherness, by transforming it into a means of confronting the world?
Director
How does a woman’s body move? skin•es•the•si•a scrambles the cultural codes of female movement by juxtaposing images from the work of performance artist Hannah Sim with images of Sim working as a nude dancer in a peep show. It explores the rapport between one woman’s body and two performance environments. How are women perceived and typed through our own physical movements? What might a response of power to these codes and norms look like? What do we discover by embracing our otherness, by transforming it into a means of confronting the world?
Director of Photography
How does a woman’s body move? skin•es•the•si•a scrambles the cultural codes of female movement by juxtaposing images from the work of performance artist Hannah Sim with images of Sim working as a nude dancer in a peep show. It explores the rapport between one woman’s body and two performance environments. How are women perceived and typed through our own physical movements? What might a response of power to these codes and norms look like? What do we discover by embracing our otherness, by transforming it into a means of confronting the world?
Editor
How does a woman’s body move? skin•es•the•si•a scrambles the cultural codes of female movement by juxtaposing images from the work of performance artist Hannah Sim with images of Sim working as a nude dancer in a peep show. It explores the rapport between one woman’s body and two performance environments. How are women perceived and typed through our own physical movements? What might a response of power to these codes and norms look like? What do we discover by embracing our otherness, by transforming it into a means of confronting the world?
