Maria
Through two unique female personas the film suggests a metaphysical idea of the present as ever recurring, since the temptations, which the human soul faces, are always the same. But any choice can be made only after the experience of the past is passed on and shared with a kindred spirit in the present. Such is the nature of the relationship between Adriana, the femme fatale of 1938, and the innocent Yura of 2008.
Every day in Petar's life is worse than the previous one, which means that every new day is the worst day in his life, until... one day a mysterious, mute stranger starts hitting Petar at his head with an umbrella. He hits without an intention to stop. Whatever Petar does to liberate himself from this menace, the strange little man is constantly by his side.
Elena
Igor, a police officer from Skopje, accidentally kills a civilian. He accepts an offer from his superior to go unpunished, but on the condition that he will be transferred to a border village, as far away from Skopje as possible.
