Turgud Ören

Фильмы

Cilveli Kız
Editor
Kiraz is a street vendor, trying to gather enough money for her father's operation. Rich Hayrullah Bey's son Aydin is in love with Oksan, the bar singer. Hayrullah opposing their marriage, meets Kiraz on the ship and asks her help to prevent his son's marriage. Kiraz has to attract Aydin and she will get the money for the surgery in turn. Aydin doesn't give up Oksan, on their wedding day Kiraz gets disguised as the bride and Aydin gets puzzled as he opens the veil. Oksan is after Aydin's money only. Kiraz and Aydin fall in love, but now Hayrullah Bey is against their marriage. Kiraz says that she is married. Aydin goes to see her father and finds out about the truth. Hayrullah Bey and Aydin search for Kiraz who already has left home, they want to get things settled. So they do!
Golden Boy in Beirut
Cinematography
The story of the spy “Golden Boy” continues, now living in Beirut.
Bozuk Düzen
Cinematography
Based on Güner Sümer's play, Bozuk düzen tells the story of four children (Erol Keskin, Nedret Güvenç. Ekrem Bora and Salih Güney) trying to survive difficult relationships and situations they are involved in.
Uzakta Kal Sevgilim
Cinematography
The film tells the relationship of a young man working at the shipyard and his girlfriend who gets pregnant.
Those Awakening in The Dark
Cinematography
Dealing with the workers of a factory, Ertem Göreç's Karanlikta Uyananlar stands as the first "strike film" of the Turkish cinema.
Duvarların Ötesi
Cinematography
A story of 7 prisoners who sentenced to death for kidnapping a rich businessman's daughter.
The Bus Passengers
Cinematography
An example of social realism in Turkish cinema, the story follows a bus driver who takes side of the poor who has been exploited by a rich man with the promise of making new apartments for them.
The Broken Pots
Cinematography
Directed by Memduh Ün
Three Friends
Cinematography
Three men live in an abandoned building and try to eke out a living by pooling their meagre resources. They come upon a lonely blind girl one night, befriend her, and take her in as their guest, pretending they are rich. They learn that 800 lira will cure her blindness. One of the three decides to get the money by any means necessary, because he has fallen in love with her.
Sazlı Damın Kahpesi
Director of Photography
The owner of the farm, Muhteem Hanim, is a widow. She wants to be with Ahmet, a handsome and young employee.
You Were the One I Loved
Cinematography
A film adaptation of André Gide's book The Pastoral Symphony.