Tan Pin Pin

China’s booming animation industry has reached us. The film in question is Shuo Feng — Po Zhen Zi, an action epic directed by Zheng Wu and based on an internet novel by A Nu. From what we understand, the film is set in the eighth century, during China’s Tang dynasty. The story draws inspiration from real historical battles, which pitted Chinese forces against the Islamic Abbasid Caliphate and Tibetan Empire in Central Asia. Watch the hyper-kinetic, elaborately composited trailer below:

Ng Meixi returns to Singapore having spent time in Mexico working with low-performing students. She joins a local school as a relief teacher but takes on a mammoth task: to pilot a new pedagogy to help students in the Normal (Technical) stream learn better. She reconfigures the classroom from a teacher-directed one to a community that aims to empower students as learners and tutors to each other. Will this work in Singapore’s result-oriented education system?

From Crazy Rich Asians (2018) to 12 Storeys (1997) to Sumpah Pontianak (The Curse of Pontianak) (1957), Singapore’s film industry is a diverse one and its evolution is nothing short of colourful. Recollecting Singapore’s famed studios in the 1950s to uncovering new waves of filmmakers in 90s and into today’s digital revolution, Singapore Cinema: Between Takes provides an insight into the rich history, and culture of Singapore films and its industry through candid reflections of filmmakers and content creators.

Between the opening and sealing of two time capsules in Singapore lives a city in limbo, visited by its own past, present and future.

An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.

Tan Pin Pin employs a strictly external perspective for this portrait of her hometown, the tropical economic powerhouse of Singapore, interviewing political exiles in London, Thailand and Malaysia, who are to this day unable to return home.

Tan Pin Pin employs a strictly external perspective for this portrait of her hometown, the tropical economic powerhouse of Singapore, interviewing political exiles in London, Thailand and Malaysia, who are to this day unable to return home.

Tan Pin Pin employs a strictly external perspective for this portrait of her hometown, the tropical economic powerhouse of Singapore, interviewing political exiles in London, Thailand and Malaysia, who are to this day unable to return home.

The Impossibility of Knowing documents Tan Pin Pin's attempt to capture the aura of spaces in Singapore that have experienced trauma.

En is an 18-year-old who has lost his father to cancer. As his family is drawn together in a sudden tragedy, he has to decide what he believes in. But in a country where ideologies are forged on constantly shifting sands, he struggles to stay true to what he knows to be right. And in a family that prefers to forget, the sandcastles of all he holds dear seem doomed to be washed away by the tides of time.

Chronicling the ways people attempt to leave a mark before they and their histories disappear. Invisible City director Tan Pin Pin interviews people – photographers, journalists and archaeologists – who are propelled by curiosity to find a City for themselves.

Singapore GaGa is a 55-minute paean to the quirkiness of the Singaporean aural landscape. It reveals Singapore's past and present with a delight and humour that makes it a necessary film for all Singaporeans. We hear buskers, street vendors, school cheerleaders sing hymns to themselves and to their communities. From these vocabularies (including Arabic, Latin, Hainanese), a sense of what it might mean to be a modern Singaporean emerges. This is Singapore's first documentary to have a cinema release. With English and Chinese subtitles.

The connections between three strangers living in Chicago's Rogers Park neighborhood are explored in this short film.

The Chew family is one of 55,000 Singapore families forced to relocate the remains of their relatives to a columbarium as the gravesite is needed for urban redevelopment. The picnic mood of the family outing to move the remains belies the sadness and confusion everyone feels.

The Chew family is one of 55,000 Singapore families forced to relocate the remains of their relatives to a columbarium as the gravesite is needed for urban redevelopment. The picnic mood of the family outing to move the remains belies the sadness and confusion everyone feels.