Sandra Sandrini

A hot summer weekend in Buenos Aires. Jorge and Mabel spend their last hours together as a couple in their family home that has already been sold.

Eliseo Subiela is one of the most recognized worldwide Latin American filmmakers. His films last through generations who have succumbed to the particular way of seeing the world of the author. This documentary explores how this author sees the world: his account of magic, madness, love, death, music, poetry and religion.

A mockumentary about three young student filmmakers as they make a movie about an alleged film director living obscurely in a Buenos Aires mental hospital. In their visits to the mental hospital, the three students will forge a very special relationship with the self-styled former film director as they follow different clues and strategies to discover his 'true' identity.

A young working mother in Buenos Aires, Ana reads a note suggesting a relationship kept hidden by her husband, an executive preoccupied by his job. To solve the mystery she travels a long distance to Rio Escondido, an unimportant river town at the foot of the mountains in western Argentina, and the film becomes a journey of discovery as she finds her heart and her passion. Along the way, truths and perceptions intertwine when Ana meets Martin and she learns who and what he is.

Этот фильм представляет собой признание в любви к кинематографу, которое использует в качестве метафоры для себя вселенную. Мы все - фильмы, и Создатель их проецирует, в том числе один с участием Рейчел и Леопольдо, в прежней жизни его звали Уильям Диксон, и столетие назад он изобрел кино. Мистическая романтическая мелодрама. Приз зрительских симпатий на фестивале в Монреале. Фильм об одном изобретателе, который создал машину по материализации человеческих мечтаний. Фильм посвящен памяти Хьюго Сото, в возрасте 40 лет умершего от СПИД в 1994 году. Он исполнил роль Рантеса в фильме Мужчина, глядящий на юго-восток / Hombre mirando al sudeste.

Two married men make a short trip to relax

Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades.