Faruque Ahamed

One by one three female students went missing from a reputed university. Someone is targeting the beautiful girls from that university. Laboni, love of his Manju's life, may also be a victim of kidnapping. But how will Manju save Laboni based on only ideas?

The story revolves around a writer's writing and psychology. How would the writer feel if his own character came in front of him? Is it possible to measure someone's worth in money? What is the present? What is the truth? Is death the end?

Muhib lost his parents at a early age and brought up by his sister. After the marriage of his sister Jeba, he comes along with his sister in his brother-in-law's house. He grows up with strict rules by his brother-in-law. But for the sake of his sister's happiness, he bears all of this. Muhib is in a deep relationship with Oru. They married each other in a court with the presence of his friends. But they cannot stay together as Muhib has to leave the town for his job. Muhib dreams for a new life with Oru but a mishap changes everything.

A brother becomes involved in illegal activities.

The three guys or Tara Tinjon are back for another job, this time at a suicide call center. People from all over Dhaka call the 0001 number hot line, so that people rethink their idea of attempting a suicide.

Three guys, one who cons and steals people's things. another goes and tries to be obedient and jobless. and the third guy stays with them and helps them.

During the 1971 liberation war of Bangladesh, in a remote village, a landlord collaborated with the Pakistani army. After the death of his brother, he married his sister-in-law who had a young son. A teacher in the village, with a widowed daughter, taught the young man had a daughter. When the war broke out, the young man joined the Bengali guerrillas, shattering his innocence. In the village, the landlord's action get worse and worse, until he kills the teacher and compels the daughter to marry him. Now the young man must return to his village with new determination.