Editor
The act of transporting an old mattress into a new walk-up apartment becomes absurdist, cinematic one-woman choreography in this wordless vignette from Adinah Dancyger, full of humor and pathos, and painfully familiar to city-dwellers.
Writer
The act of transporting an old mattress into a new walk-up apartment becomes absurdist, cinematic one-woman choreography in this wordless vignette from Adinah Dancyger, full of humor and pathos, and painfully familiar to city-dwellers.
Director
The act of transporting an old mattress into a new walk-up apartment becomes absurdist, cinematic one-woman choreography in this wordless vignette from Adinah Dancyger, full of humor and pathos, and painfully familiar to city-dwellers.
Editor
New York City present day. Anna is a 21-year old dance major in college. She takes the train home after a day of dance class and babysitting. She falls asleep on the train and wakes up to a man holding her hands. He whispers something to her she does not want to hear. The film follows Anna for the next two days. She tries to go about her life but grapples with the haunting memory of the stranger from the train. The city acts as the cacophonous landscape in which Anna develops a new perspective, one where she finds herself both suffocated and free.
Screenplay
New York City present day. Anna is a 21-year old dance major in college. She takes the train home after a day of dance class and babysitting. She falls asleep on the train and wakes up to a man holding her hands. He whispers something to her she does not want to hear. The film follows Anna for the next two days. She tries to go about her life but grapples with the haunting memory of the stranger from the train. The city acts as the cacophonous landscape in which Anna develops a new perspective, one where she finds herself both suffocated and free.
Director
New York City present day. Anna is a 21-year old dance major in college. She takes the train home after a day of dance class and babysitting. She falls asleep on the train and wakes up to a man holding her hands. He whispers something to her she does not want to hear. The film follows Anna for the next two days. She tries to go about her life but grapples with the haunting memory of the stranger from the train. The city acts as the cacophonous landscape in which Anna develops a new perspective, one where she finds herself both suffocated and free.
Additional Photography
A New Yorker comes to regret betting on the 2016 election.
Editor
Mykki Blanco recites "I Want A Dyke For President" (1992), a poem by Zoe Leonard.
Director of Photography
Mykki Blanco recites "I Want A Dyke For President" (1992), a poem by Zoe Leonard.
Director
Mykki Blanco recites "I Want A Dyke For President" (1992), a poem by Zoe Leonard.
Writer
Soli, a Korean-American six-year old girl and her Korean grandmother spend time together during a summer in New York City. Cultural and language barriers break the purely romantic stage of their relationship which potentially ruins their innocent friendship forever.
Director
Soli, a Korean-American six-year old girl and her Korean grandmother spend time together during a summer in New York City. Cultural and language barriers break the purely romantic stage of their relationship which potentially ruins their innocent friendship forever.
Joan (Clonic)
Joan is a young college student who doesn't know that she has epilepsy. Another boring night takes an ominous turn when she meets two strangers at a softball game. I Remember Nothing is structured after the five phases of a seizure.
Brandi
Избегая встречи с женой, Робби находит пристанище в сельском доме своей тётушки Карлы, где женщина устроила приют для беременных подростков.
