Marcius Barbieri

Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.

Madalena is Sônia's mother, who is Julia's mother, who is Camila's mother. A family of women so different, yet trapped by events and tragedies so interconnected. Closely related, distant due to fatality. A story where reality invades fiction.

After missing out on his co-workers winning lottery pool, the lonely Jairo embarks on an extraordinary Christmas adventure as a helper to none other than Santa Claus himself.

The city of Brasilia hoped to become, from its very architecture, the expression of modern urban conception and an egalitarian society. However, neither the workers hired to pursue this project, nor the constant migratory flow that took place from the beginning, fitted in the government’s plan. In 1971, it began what was known as the “Campaign to Eradicate Invaders”. Together with other locals, the director reflects on the history, the transformations and the future of this place where the hypocritical official jingle “A cidade é uma só!” is no longer heard.

The struggle of a small group of blacksmiths trapped between keeping a long going strike with claims for better fees and the necessity of getting back to work when there's no money left for basic necessities.

In a small elevator, a man and a woman prepare for a night out for two. And now? At night, anything can happen.