Ermanno Roveri

Called to perform at the Scala, a young baritone begins a transatlantic romance with a famous pianist. The singer, having been skewered by a critic after his last performance in Milan, attempts to find a way to win over the audience and the critics, while wooing his love interest.

Ginevra degli Almieri's family has arranged a marriage of interest but the young Ginevra strenuously refuses until she falls into catalepsy and is buried alive. Once she wakes up she goes home but her family believes they are dealing with a ghost and they try to chase her away. She will only be welcomed by the penniless young painter who has always been in love with her.

Во время рыбной ловли на профессора Джакомо Бантти падает, спрыгнувшая с парашютом, Дора Сандри. Эта внезапная встреча полностью поменяла спокойную и размеренную жизнь профессора…

During hard times, a vivacious girl looks for an office job in the hope of landing a rich man.The director of the bank she works at flirts with her while not at first revealing his identity so she rejects him.

In 1921, Titanus released a three-part serial based on a popular Italian novel from the turn of the 20th century: Nobody’s Children by Ruggero Rindi. The tale of lovers thwarted by class differences, of illegitimate children and parental recognition denied was a major success for producer Gustavo Lombardo and leading lady Leda Gys.

Dagli Appennini alle Ande is a Italian film from 1916 directed by Umberto Paradisi.

Antamoro's CHRISTUS, epic in scale and ambition, and featuring decidedly otherworldly special effects, was released in 1916. Telling the story of the Life of Christ, the film is divided into three segments-- three Mysteries. The first of these includes the Birth of Jesus, the arrival of the Magi, Herod and the slaughter of the innocents, the flight into Egypt. The second Mystery features the expulsion of the merchants from the Temple, Mary Magdalene's conversion and Christ's entry into Jerusalem. The third Mystery is itself divided into three separate parts, which are The Passion, The Death and The Resurrection.

On a ship bound for Genoa there is a boy in rags is a small Padua, who was sold by his parents to a company of acrobats and had been forced, in order to feed themselves, to do all the work in the circus. Now, escaped during a stopover in Barcelona, ​​the Italian consul had returned. Pity and even curious, some foreign travelers have the boy, who retired in his bunk, he dreams of a decent meal, a new jacket and bring the rest of the money to parents so poor that it had to sell. But when by chance he feels that those travelers, chatting with each other, gossiping about Italy and the Italians, do not hesitate to throw my money in my face, shouting not to accept alms from those who insults my country.