Adoor Pankajam

Rakhi's wedding is ruined when her fiance's family learns about her mother, who is a prostitute. She blames her mother for her plight, unaware of the truth.

This intimately-constructed drama traces the consequences of the tumultuous political and social changes that swept through India in the years since pre-Independence 1937.

Sudhi (Mohanlal) who is a poor auto-rickshaw driver who meets Meenakshi (Rekha) who is the granddaughter of a well to do family. Sudhi and Meenakshi falls in love for each other and faces strong opposition from her family but the lone support of her grand father, Krishna Pillai (Thikkurisi Sukumaran Nair).

Ramaswamy (Jayaram) and Veni (Parvathy) are very close brahmin siblings who lost their parents in their childhood. They live under the protection of Devan (Nedumudi Venu) in a tourist town near Trivandrum. They have an extensive friends circle which includes the feisty Fifi (Urvashi), her brother Tito (Ashokan), Suku (Jagathy) and Sajan (Sreenath). Veni and Tito fall in love much to the displeasure of Ramaswamy because of their religious differences.

The movie opens with Revathi coming with his son to visit Balachandra Menon’s house where only his grandmother Sukumari lives now. Menon’s son, during the stay at his house, asks Sukumari who is his father and the movie cuts to the flashback.

Аджаян был оставлен матерью в роддоме. Но далее судьба оказалась к нему благосклонна. Привязавшись к малышу, пожилой врач, уходя на пенсию, забрал Аджаяна с собой и стал воспитывать как родного сына. Однако уже в школе мальчик не смог найти общего языка со сверстниками и учителями... И как ни странно, главной причиной отчуждения был его острый ум, неординарное мышление, незаурядность. Не восхищение и желание подражать вызывал Аджаян у своих сверстников, а ненависть и раздражение..

Kadathanaattu Maakkam is a 1978 Indian Malayalam film, directed and produced by Navodaya Appachan. The film stars Prem Nazir, Jayan, Sheela and Sukumari in lead roles. The film had musical score by G. Devarajan.

A man falls in love with an ethereal being who struggles to come to terms with human love

Ponnapuram Kotta is a 1973 Malayalam language film starring Prem Nazir, K. P. Ummer, Vijayasree and Vijayanirmala in the lead roles.

Ramu, a postman, gives shelter to a girl, who has escaped from the hands of a few Naxalites. However, problems arise when his fiance's parents doubt him to be a Naxalite as they find a gun with him.

Based on Vadakkan Pattukal, a collection of Northern Ballads of medieval origin.

Vasanthi's parents get her engaged to a police officer, Gopi. However, her life takes a turn when Gopi leaves her after making her pregnant.

Kumara Sambhavam is based on the epic poem of the poet Kalidasa of the same name.

Pappu is a person who takes a relentless stand for justice right from his early years. His protests against his teacher who discriminates between the landlord's son and other children brings him the wrath of the landlord and he's forced to leave home. He leads a hard life fighting to uphold his ideals. He ends up being a rickshaw puller and at this time finds a child from the gutter and takes care of her. Things do not go as Pappu expected as the child grows older.

Karutthamma, the daughter of a Hindu fisherman, falls in love with a Muslim fish trader. However, social prejudices seem to ruin their love life and invite the wrath of their communities.

Film starring Sathyan, Adoor Bhasi and Vinodini

Bharya is a 1962 Malayalam language film starring Sathyan and Ragini in the lead roles. It was directed by Kunchacko based on a novel with the same title by Kanam EJ. The novel was based on the controversial Thiruvalla Ammalu murder case.

The film told, apart from the main story of the friendship between Krishna and Kuchela, a few sequences from the Bhagavatha

King Rajasekhara, the king of Pandalam, finds a child on the banks of River Pampa during one of his hunting expeditions. A saint who appears there advises the king to adopt this child name him as Manikantan

Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.

The film was based on the legend of King Harishchandra, recounted in the Ramayana and the Mahabharata. Starring Thikkurissy Sukumaran Nair, Miss Kumari, Master Hari, G. K. Pillai, Jose Prakash and T. S. Muthiah in major roles, it features cinematography by N. S. Mani and music by Brother Lakshmanan.

A rich industrialist, Prabhu runs a factory along with his son Ravi. However, Vikraman, Prabhu's crooked nephew tries to manipulate Prabhu's wealth and defames his family.

Chandran and Balan are showered love and affection by their father and stepmother. But Chandran does not realise the value of this and grows into a bad boy.

Mohan the only son of the rich landlord of ‘Lakshmi Bhavanam loses his father in childhood. The manager manages to secure all the wealth of the family, throwing Mohan and his mother out on the streets. Soon, Mohan loses his mother also. Adopted by a kind hearted land lord of ‘Ananda Bhavanam,’ Mohan is brought up along with his children Venu and Sarojam After the death of the landlord, Venu takes charge of the household. Kamalam, the daughter of the wicked manager who cheated Mohan and his family, is married to Venu. It change the life of Mohan.