Maurice Barry

Вы — в Стамбуле, вы — иностранец, вы заблудились. Неизменная последовательность кадров, разворачивающаяся с каждым новым возвращением к ним, стирает разницу между событием и воспоминанием. Теряется ощущение реальности, странной и беспокойной — начинается раздвоение. Герой уже не уверен, что происходящее ему не снится. Зовут ли девушку Лали, мечеть это или музей мореходства, не померещился ли ему тюльпан на турецком ковре. Есть ли у него служанка? Когда надо — ее нет. Кто этот рыбак на ступеньках, ведущих к морю? Здесь нет рыбака. Где адрес, написанный девушкой на брошенном в траву листке? Какой адрес?

Юная провинциалка Николь грезит кинематографом и однажды ее мечты начинают сбываться: девушка получает приглашение в Париж на конкурс, призом в котором должна стать роль в кино. Николь, не задумываясь, бросает родителей, возлюбленного и отправляется в столицу, не подозревая, каким трудным и тернистым является путь начинающей актрисы…

How to make the most of a defeat. How to make money from Napoleon's fiasco at Waterloo.

"Thieves We Are" - In flashback, the audience learns why 104-year-old Amedee steals the watch belonging to the town mayor. The story develops into a history of the watch-thievery business, told in anecdotal fashion.

В поисках романтики и славы молодой Жуан Арандо отправляется в испанскую армию, выступающую против Наполеона. С тех пор, как благородный искатель приключений покинул родной замок, судьба закружила его в невероятном круговороте событий. Доблесть, приключения, женщины.. Все, что Жуан мечтал получить от жизни сбылось, но только старая семейная тайна укажет ему путь к настоящей любви.

Love in a Hot Climate (Spanish: Sangre y luces, French: Sang et lumières) is a 1954 Spanish-French drama film directed by Georges Rouquier and Ricardo Muñoz Suay. It was entered into the 1954 Cannes Film Festival.

Love in a Hot Climate (Spanish: Sangre y luces, French: Sang et lumières) is a 1954 Spanish-French drama film directed by Georges Rouquier and Ricardo Muñoz Suay. It was entered into the 1954 Cannes Film Festival.

A romantic German girl is brought to France. After an interlude with an old roue, she falls in love with a simple, but married, man. She goes to work for him as a servant, but after a night of love with him, she commits suicide.

A romantic German girl is brought to France. After an interlude with an old roue, she falls in love with a simple, but married, man. She goes to work for him as a servant, but after a night of love with him, she commits suicide.

The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.

A man assists his gravely ill wife to die and wants to face justice for this, but his brothers try everything to keep the family's name clean.

Gaston, nicknamed Pilou, has left his native village and Yvette, the girl of his heart, to go to Paris where he has found work as a painter. He is a naive good-natured man who, like most of his fellow-workers, favors a little song or two while he works. For the time being he is busy repainting the exterior of a block of flats and, when he does not sing to pass the time, he looks through the windows, observing the tenants in their daily lives. As time goes by, he goes as far as intervening and changing the course of their lives. In the end, despite having found a lookalike of his fiancée, he returns to her.

Jean is a good man who has a steady job (he is a mechanic in the village garage) and a companion named Aline. But Jean is also a guzzler and a philanderer. As a result, when a local prostitute is killed in the surroundings, he becomes at once the victim of rumor...

An old merchant ruined by the dot its two ungrateful daughters, moved to the Vauquer pension in Paris. In after Balzac.