Ron Geesin

Directed by Ian Breakwell and Ron Geesin.

Alan and Mary are pretty miserable together and split up. As a very presentable Glaswegian photographer, Alan soon has chances to find consolation elsewhere, but more and more thinks of Mary. She, however, seems a lot less keen to try again.

Во дворец короля Артура является загадочный Зеленый Рыцарь. Говоря рифмами и загадками, он подстрекает людей на безрассудства. И когда один из рыцарей, молодой сэр Гавейн, пытается защитить честь короля, то обнаруживает, что он всего лишь пешка в игре призрачного рыцаря. Игре, которая уведет его далеко от Камелота и заберет его жизнь, если он не сможет решить загадки своего противника.

Анимационный фильм о британском инженере Исамбарде Кингдоме Брунеле. Благодаря ему появились многие чудеса 19 века: тоннель под Темзой, крупнейший пароход эпохи, великий железнодорожный вокзал.

Анимационный фильм о британском инженере Исамбарде Кингдоме Брунеле. Благодаря ему появились многие чудеса 19 века: тоннель под Темзой, крупнейший пароход эпохи, великий железнодорожный вокзал.

Several old college friends converge at a mansion, ostensibly for a pleasant reunion. Larry Dann, the most easygoing of the bunch, comes to the conclusion that all is not well in the old dark house. For one thing, he's run across several people whom he's never met. For another, they all seem to be of a different time and place.

Several old college friends converge at a mansion, ostensibly for a pleasant reunion. Larry Dann, the most easygoing of the bunch, comes to the conclusion that all is not well in the old dark house. For one thing, he's run across several people whom he's never met. For another, they all seem to be of a different time and place.

A BAFTA award nominated documentary looking at the history of the motor car in the 1920s.

Апатию, охватившую английское общество в начале 70-х годов, Джон Шлезингер тонко отразил в своем фильме 1971 года «Воскресенье, проклятое воскресенье», который можно воспринимать как метафорическую картину горького пробуждения после бума 60-х, когда англичане вдруг увидели, что живут в захудалой стране, где люди согласны даже на «половину куска». Фильм повествует об одной неделе из жизни респектабельного пожилого доктора и интеллигентной женщины средних лет, которые не только пользуются одной телефонной службой, но и, как выясняется, делят одного любовника - амбициозного молодого изобретателя, в конце концов бросающего их обоих и уезжающего в Америку в поисках лучшей жизни.

A psychedelic documentary of the body electric, with music by Pink Floyd. The film was directed and produced by Roy Battersby. The film's narrators, Frank Finlay and Vanessa Redgrave, provide commentary that combines the knowledge of human biologists and anatomical experts. The film's soundtrack, Music from the Body, was composed by Ron Geesin and Roger Waters.

A short film inspired by lateral thinking that sees an astronaut explore "the monsters of mass society and mass media."

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

The beginning of the prevalent theme – or question – what keeps us apart, even when together? This question in the later film not just the question, but as a statement…

A static camera records, in one single continuous shot, a woman's face before, during and after orgasm. The act of looking and the limits of the film frame are highlighted in this intimate sexual episode with Tina Fraser. Artist Stephen Dwoskin presents a powerful, personal moment while maintaining a distance and resisting the viewer being subsumed into the action on screen.

Featuring Joan Adler (who also appears in Chinese Checkers), Soliloquy is one of the four early Stephen Dwoskin films that were awarded the Solvey prize at the EXPRMNTL festival in Knokke, Belgium in 1967. “In Soliloquy a girl broods uncertainly over a failed love affair, while the camera roves over her fingers, her cigarette, her knuckles, her lips and the hand mirror in which she peers. In its dark reflection one isolated eye seems a dead thing, twitching; the split between her body and her spoken thoughts becomes a strange bilocation of consciousness; towards the end, an aeroplane drones overhead” (Raymond Durgnat)

Filmic portrait of Niki de Saint Phalle's HON, a temporary indoor sculpture installation for the Moderna Museet of Stockholm.

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.

Filmed in New York in 1964, completed in London 1967.

Images of a woman lying on a bed appearing to have a sexual fantasy for lack of anything else to do.