Alejandro de la Madrid

Alejandro de la Madrid

Рождение : 1977-03-23, Mexico City, Distrito Federal, Mexico

Профиль

Alejandro de la Madrid

Фильмы

Больная любовь
Memo
История повествует о разногласиях, лжи, обмане и неверности между девятью парами.
Четыре луны
Andrés
Четыре истории о любви, ненависти и конфликтах, представленные с точек зрения разных поколений: Хуго и Андре собираются расстаться после 10 лет совместной жизни. Фито встречает друга детства и заводит с ним роман. Маурицио влюблен в одноклассника, которого приглашает в гости. Пожилой поэт добивается внимания молодого человека в бане.
What Did You Tell God?
Héctor
Martina and Lupita are two housemaids who steal shoes and clothes from their boss Marcela, trying to impress Lupita's boyfriend. When Marcela founds out about the robbery, she and her friend Marifer go looking for them to retrieve her stuff and bring them to justice. "What did you tell God?" is a comedy that uses Juan Gabriel's songs.
El cártel
Officer Solana
Based on Mexico's current criminal climate, EL CÁRTEL is a rare look into the values and practices of the world's most intriguing and enigmatic industry - the multi-billion dollar business of drug trafficking. When Jules Land, a naïve business journalist, approaches Mexico's most notorious drug cartel and requests an audience with its leader, a one-time-priest turned murderous cutthroat, he quickl
Without Rhyme or Reason
Orlando (Juan Manuel Bernal) is a neurotic dubbing director of series B that desqui-ta of all your frustrations and anger with their coworkers. Orlando lives with Sonia (Mariana Gaja), a woman "new age" in quest for inner peace. He, in crisis, stifled by the love of So-nia and tempted by the novelty of another woman, can not desci-FRAR the complicated language of life as a couple of young people, and going from flower to flower revealing its inability of being alone. On the other hand we have to Mauritius (José María Yazpik), a young and awkward to relate hermit who loves and despises while René (Cecilia Suárez), a beautiful woman "postmodern"