Carlos Chausson

"Свадьба Фигаро" Моцарта- незабываемая опера о любви, желании и первичной силе неконтролируемой страсти. Завершая очень успешный цикл Моцарта / Да Понте на Зальцбургском фестивале, режиссер Свен-Эрик Бехтольф помещает действие в величественный английский загородный дом в 1920-х годах. Известная Венская филармония обеспечивает исключительный вечер музыки в родном городе Моцарта. «Все, что было в шоу, вызвало непосредственность и естественность: интригующе обновленное производство режиссера Свена-Эрика Бехтольфа; Выигрышные выступления неотразимых актеров; И гибкая игра, которую дирижер Дэн Эттингер рисовал из Венской филармонии...

Le Nozze di Figaro New Production Teatro Real in co-production with Bilbao’s ABAO and Las Palmas Teatro Pérez Galdós. From the opening notes of the overture to the final curtain, Emilio Sagi’s classic, triumphant production brings to life all the elegant wit and theatricality of Mozart’s comic masterpiece Le nozze di Figaro. Leading baritone Ludovic Tézier shines as the lustful Count Almaviva who attempts to obtain the favors of Figaro’s bride-to-be, Susanna (Isabel Rey), while Luca Pisaroni gives a feisty performance as Figaro. Conductor Jesús López Cobos masterfully captures the enchanting score. A witty yet profound tale of love, betrayal, and forgiveness.

Либретто: Ч. Стербини по комедии де Бомарше "Севильский цирюльник, или Тщетная предосторожность". Дирижер: Bruno Campanella Orchestre & Choir Opera National de Paris

Live performance from Zürich Opera House, 2001. “Vesselina Kasarova’s Rosina turned this Barber into a major event. Pearling coloratura, endless resources of vocal colour and nuance and phenomenal acting versatility became mere means to an end: that of making Rosina into a human being of flesh and blood, with heart, humour and considerable brains.

A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.