FRONT creates a wordless and tactile experience about the atrocities of world war I. The film depicts a young Belgian soldier, stuck in the horror of the trenches I. Overwhelmed by fear and physical exhaustion, he suffers from shell shock. His body is out of control and he tries to escape. At first, his friend protects him from certain death by restraining him. But eventually, they accept the inevitable. —Benny Vandendriessche
The Flemish harmony Sint-Cecilia from Staaikerke and the Walloon harmony En Avant are both selected for the big European finale. The Walloon En Avant comes up with the great trumpeter Hugues. Hugues is so amazing during his solo that Willy, from the Flemish Sint-Cecilia, has to give everything he has, the highest note, the lowest note, the last note... Willy falls dead on stage. Surprising everyone, both harmonies get selected for the finale. But what will the Flemish do without their best player? Elke, the daughter of conductor Jozef, has an idea. A transfer! What works easily on a football field seems to be more difficult in the music world. The young, handsome Hugues generates a lot of emotions in the quiet village of Staaikerke. His transfer drives the conflict between En Avant and Sint-Cecilia on.
A woman awaits the arrival of a man. They don’t know one another. The only string between them is the engagement to meet and make use of each other. In an empty house in the woods they are faced with their search for love and their ambivalent sexuality. Bare Romance shows the minimal, raw aesthetic of the waywardly loving body.
