Javier Bourges

Фелино, его девушка и двое их друзей снимают свой первый полнометражный фильм на деньги, занятые у местного гангстера, но его не принимают ни на один крупный фестиваль. Фелино уговаривает свою команду добавить в титры вместо них самих известного режиссёра Томаса Гевару, который давно отошёл от кинопроизводства. Узнав о возвращении легенды кинематографа, организаторы решают устроить целую церемонию и встретить его со всеми почестями. Теперь четырём друзьям нужно разыскать маэстро Гевару, чтобы он представил свой фильм.

Gina is a modern business woman in her late forties, she has a lover named Adrian, who she sees once in a while just to have sex; they are both atracted to the historic figure of Pancho Villa, while he admires his power, she admires his virility. As Gina helps Adrian (who is a journalist) to write a book about Pancho Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers. She gets sick of only having sex, and when she decides to get married with him and have a baby, he escapes to buy cigarrettes and gets lost for three months. Gina forgets about him and gets a new boyfriend (half the age she is), and when Adrian tries to get her back and she refuses him and humiliates him, the one and only Pancho Villa appears as his machista conscience ready to do anything to get Gina back.

Set on background of personal ceremonies and tradition, this is the story of a twelve year old boy. To him, the passing from one year to another coincides with his passing from childhood into adolescence.

Set on background of personal ceremonies and tradition, this is the story of a twelve year old boy. To him, the passing from one year to another coincides with his passing from childhood into adolescence.

Set on background of personal ceremonies and tradition, this is the story of a twelve year old boy. To him, the passing from one year to another coincides with his passing from childhood into adolescence.