Olga Damani

On an abnormally hot summer day in Oslo, a strange electric field surrounds the city as a collective migraine spreads across town and the newly deceased awake from death.

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

Peter is a successful chef with an unstable emotional life and Zoi is a romantic girl who sews children's costumes. A passionate love affair begins, but the refusal of the first to commit seems like an insurmountable obstacle.

A retiring man in rioting Athens faces ghosts and memories from the past to make choices about the present.

A gently ironic portrait of a midlife crisis. Pavlos takes over the job of building manager just as a sewage pipe bursts. Will Pavlos succeed in fixing the broken sewage pipe before he can fix his own wrecked life? Director Hoursoglou succeeds in creating a faithful, entertaining, and even touching portrait of "ordinary" interpersonal relations.

An engagement party is interrupted by the arrival of the Russian girl, hired to help an old woman. Liubi is the girl who is going to keep company to and help the sick mother of out protagonist. Dimitris, the son of the family and Liubi eventually fall in love. Their love will be tested by the social racism that surounds the origins of the girl.

Athens by the 50's. A widowed mother is trying to raise her 3 children. Among them, there's only one son which she prefers the most. early in his childhood he appears to be "special". He opposed to his family, to the social standards and he made friendships with people of the same sex. His passion for dance led him to Paris where his homosexual relations bloomed. Athens by the 80's. He returned back. His artistic failure and his bad relationship with his mother led him into prostitution, working in transsexual cabarets, prison and changing sex, while his mother was unable to follow his changes and his life style

The few survivors of a deserted city, sometime in the near future, are left with no water or food but somehow manage to survive. In a hospital, a lonely scientist, Foteini, is helping a patient with amnesia to recover. She also meets an actor named Aias (Ajax) – who often visits his sick sister – and becomes romantically involved with him. Foteini is swept away by love; Aias, however, is unprepared for such strong emotions. Their separation brings Foteini to the house of the amnesiac, and he takes care of her, up to the moment that she discovers a photo of hers among his things. In the meantime, Aias brings his sister back home from the hospital. While it is getting darker, with clouds gathering in the sky, Foteini and Aias wander the city and meet in the rain.

1950s Athens. Prince, a self-made impresario and the owner of the "Acropole" review theater, fires one of his leading ladies when she shows up drunk on opening night. In order to replace her, he turns to Lakis Loizos, an expert at comic female roles and an ex-wonder-child of movies, who now runs an agency for extras. At first, Lakis is surprised by the prince's proposal, but finally decides to try his luck on the stage of the legendary theater.