Melik Saraçoğlu

Beste (13), whose father is a veterinarian and grew up with horses, resists the new boss's decision to close the farm. In the process of selling the horses one by one, Beste's mother and father decide to leave. A very difficult process begins for the thirteen-year-old girl with the sale of her favorite horse, Turagay, on the one hand, and the disintegration of her family, on the other.

Can witnesses a murder in a small town. The police don't allow him to leave after his testimony. On the other hand, a quarantine is declared due to rabid dogs. The whole town turns into purgatory with no exit is almost at the edge of insanity.

A nomad family migrates with their camels and goats when summer and winter turn. Balanced between traditional and modern lifestyles, migration season comes. What do they see ahead?

After completing his specialty in Canada, Mazhar returned to Istanbul. As he mourns his mother, he falls in love with Ece, who is also the lover of Erman, Mazhar’s best friend. Mazhar and Ece will live a passionate and devastating love in the midst of the vicissitudes of the city.

After completing his specialty in Canada, Mazhar returned to Istanbul. As he mourns his mother, he falls in love with Ece, who is also the lover of Erman, Mazhar’s best friend. Mazhar and Ece will live a passionate and devastating love in the midst of the vicissitudes of the city.

Uncurable is the (hi)story of Abdullah Kozan who spent 47 years of his life as patient in a state hospital named “Homeland”.

Uncurable is the (hi)story of Abdullah Kozan who spent 47 years of his life as patient in a state hospital named “Homeland”.

Uncurable is the (hi)story of Abdullah Kozan who spent 47 years of his life as patient in a state hospital named “Homeland”.

Uncurable is the (hi)story of Abdullah Kozan who spent 47 years of his life as patient in a state hospital named “Homeland”.

Приехав в матери в деревню, Махир обнаруживает в родном доме необычного гостя. Мужчина представляется Халефом и утверждает, что является реинкарнацией его давно погибшего старшего брата.

Приехав в матери в деревню, Махир обнаруживает в родном доме необычного гостя. Мужчина представляется Халефом и утверждает, что является реинкарнацией его давно погибшего старшего брата.

A questioning on Turkish (Cinema) history from 1856 to present, based on the mysterious and missing film “The Fall of the Russian Monument in Ayastefanos” which was allegedly shot on 14 November 1914, the so-called birthday of Turkish Cinema.

A questioning on Turkish (Cinema) history from 1856 to present, based on the mysterious and missing film “The Fall of the Russian Monument in Ayastefanos” which was allegedly shot on 14 November 1914, the so-called birthday of Turkish Cinema.

A questioning on Turkish (Cinema) history from 1856 to present, based on the mysterious and missing film “The Fall of the Russian Monument in Ayastefanos” which was allegedly shot on 14 November 1914, the so-called birthday of Turkish Cinema.

A questioning on Turkish (Cinema) history from 1856 to present, based on the mysterious and missing film “The Fall of the Russian Monument in Ayastefanos” which was allegedly shot on 14 November 1914, the so-called birthday of Turkish Cinema.

Фильм Свет очей моих представляет собой трагикомедию, созданную по реальным событиям. Это случилось с самим режиссером картины. После отслоения сетчатки одного глаза, а потом другого, его кладут в больницу. Ему придется провести 40 долгих дней с завязанными глазами лицом вниз. Этот период показался для режиссера бесконечностью. Однако, эти постоянные страхи и долгий, утомительный период провождения с закрытыми глазами, дали возможность обдумать и найти истинные ценности в жизни. Они заставили изменить его свое отношение к близким и полностью поменять взгляды на жизнь.

Фильм Свет очей моих представляет собой трагикомедию, созданную по реальным событиям. Это случилось с самим режиссером картины. После отслоения сетчатки одного глаза, а потом другого, его кладут в больницу. Ему придется провести 40 долгих дней с завязанными глазами лицом вниз. Этот период показался для режиссера бесконечностью. Однако, эти постоянные страхи и долгий, утомительный период провождения с закрытыми глазами, дали возможность обдумать и найти истинные ценности в жизни. Они заставили изменить его свое отношение к близким и полностью поменять взгляды на жизнь.

Фильм Свет очей моих представляет собой трагикомедию, созданную по реальным событиям. Это случилось с самим режиссером картины. После отслоения сетчатки одного глаза, а потом другого, его кладут в больницу. Ему придется провести 40 долгих дней с завязанными глазами лицом вниз. Этот период показался для режиссера бесконечностью. Однако, эти постоянные страхи и долгий, утомительный период провождения с закрытыми глазами, дали возможность обдумать и найти истинные ценности в жизни. Они заставили изменить его свое отношение к близким и полностью поменять взгляды на жизнь.

This is a cinematic pilgrimage by two young Turkish directors to their biggest source of inspiration, Ingmar Bergman. Their desire to approach even further to Bergman and to his work leads them to make this journey from their hometown Istanbul to Sweden, the land of Bergman. Their journey passes through not only to Stockholm, Uppsala, Dalarna, Gotland and of course Faro, but will also be an inner journey to their own selves.

This is a cinematic pilgrimage by two young Turkish directors to their biggest source of inspiration, Ingmar Bergman. Their desire to approach even further to Bergman and to his work leads them to make this journey from their hometown Istanbul to Sweden, the land of Bergman. Their journey passes through not only to Stockholm, Uppsala, Dalarna, Gotland and of course Faro, but will also be an inner journey to their own selves.

This is a cinematic pilgrimage by two young Turkish directors to their biggest source of inspiration, Ingmar Bergman. Their desire to approach even further to Bergman and to his work leads them to make this journey from their hometown Istanbul to Sweden, the land of Bergman. Their journey passes through not only to Stockholm, Uppsala, Dalarna, Gotland and of course Faro, but will also be an inner journey to their own selves.

This is a cinematic pilgrimage by two young Turkish directors to their biggest source of inspiration, Ingmar Bergman. Their desire to approach even further to Bergman and to his work leads them to make this journey from their hometown Istanbul to Sweden, the land of Bergman. Their journey passes through not only to Stockholm, Uppsala, Dalarna, Gotland and of course Faro, but will also be an inner journey to their own selves.

This is a cinematic pilgrimage by two young Turkish directors to their biggest source of inspiration, Ingmar Bergman. Their desire to approach even further to Bergman and to his work leads them to make this journey from their hometown Istanbul to Sweden, the land of Bergman. Their journey passes through not only to Stockholm, Uppsala, Dalarna, Gotland and of course Faro, but will also be an inner journey to their own selves.

The story covers one day of a broken family that is gathered after the mother passing.