Beto Martins

Niara, a police clerk about to retire, is touched by the case of Jana, a single mother and widow who appears at the police station to claim satisfaction regarding the lack of investigation into the brutal death of the father of her newborn daughter. Added to her personal motivations and the recurring misogyny and corruption of her chief delegate, the clerk crosses the limits imposed on her to try to discover what goes on behind the institution she works for.

Vicente is a retired widower teacher who lives between lucid dreams and everyday life in the Alecrim neighborhood.

In an attempt to escape from a writer’s block, acclaimed novelist Max Madureira moves to a house near a small, isolated and awkward village. It doesn’t take long for the ideas to come out, but not quite the way he expected: as the writer feels like he’s been living among stories — and not people —, he comes across the mysterious emergence of typed pages in his desk, supposedly written by the previous resident of the house. That’s enough to make Max doubt about his creativity, his sanity and even his own existence.

It portrays the work of Carlos Filho, Cafi, a photographer from Recife, who for more than 40 years has dedicated himself to recording a large part of the events of dance, theater and Brazilian popular music. Recordings, concerts, tours and rehearsals by important artists passed through Cafi's lens.

The trajectory of one of the greatest circus masters in Brazil, Zé Wilson, returning to his hometown, in the hinterland of Alagoas, when, together with his troupe, he revisits the history of the circus in Brazil.

Во время выборов мэра население бразильского городка делится на "красных" и "синих" - представителей двух основных политических фигур. Засушливость региона говорит о том, что вода - дороже золота, и именно ей пытаются манипулировать кандидаты, чтобы получить заветные голоса. В это время Шику Кайша, выходец из деревни, где всегда были проблемы с водой, присоединяется к кампании своего товарища Жоэла, который представляет себя как альтернативу привычным кандидатам. Однако позднее Шику понимает, что выйти из политической игры не так-то просто.

Russas, a small town in northeastern Brazil, is the home of Pacarrete, a grumpy retired dance teacher who dreams of getting a big shot and starring at a dance spectacle for the whole town to see. She's close to fulfilling that dream, but not without overcoming a few impediments along the way.

Hermila and Leandro want to escape. Hermila and Leandro want to stay.

Forty years separate Maria Eugênia, or Maê, a writer from Pernambuco based out of France, from the couple Miguel and Lúcia, who has just celebrated their 40-year anniversary. Maê's return uncovers old doubts and suspicions. Miguel, a sociology professor and former political prisoner, wants to face the truth, and Lúcia, his life partner who has dedicated herself to getting him out of prison, wants to escape from it. From the point of view of these three main characters we learn about political events.

Iris lives alone in a spacious apartment by the sea. The green horizon seems to distance it from the city in comfortable isolation. At nightfall, the place hosts known and unknown in a frantic party flow. Iris is the main attraction. But on a hungover morning, she finds a corpse in the living room. As in the distorted reflection of a crooked mirror, Iris feels repeating steps of her childhood friend, Tiara, a medical student who had run over a guy at the exit of a nightclub. After the incident, Tiara plunges into a spiral of self-pity, sentimental emptying and violence. The case is well known in town and Iris does not want to become another ghost in this dark repertoire of stories. In All the colors of the night, reality works as a dimension of imagination, memory and madness.

Aluisio loves the shop and his animals. Cristina can’t wait to sell the place.

In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.