Theo Anthony

Theo Anthony

История

Theo Anthony is a filmmaker and photographer based in Baltimore and Upstate New York. His first feature documentary, RAT FILM, premiered to critical acclaim, with a successful festival and theatrical run followed by a broadcast premiere on PBS Independent Lens in early 2018. Theo is the recipient of the 2018 Sundance Art of Non-Fiction Fellowship and the 2019 Sundance and Simons Foundation Science Sandbox Fellowship. In 2015, he was named to Filmmaker Magazine's 25 New Faces of Independent Film.

Профиль

Theo Anthony

Фильмы

Theo Anthony Makes a Stool
A documentary filmmaker talks us through the steps of his latest project — a wooden stool.
Мы все идём на всемирную выставку
Man on Treadmill
Оставшись одна в своей спальне на чердаке, Кейси погружается в ролевую хоррор-игру онлайн. Согласно правилам, игра способна вызывать изменения в структуре тела и сознания игроков. После того, как Кейси соглашается с условиями, камера её компьютера начинает фиксировать процесс метаморфоз.
All Light, Everywhere
Self
The film explores the past, present, and future relationships between technology, vision, and power. From arcane theories of sight to the emergence of virtual reality and police body camera programs, the film takes a kaleidoscopic investigation into how the reality of what we see is constructed through the tools that we use to see.
All Light, Everywhere
Editor
The film explores the past, present, and future relationships between technology, vision, and power. From arcane theories of sight to the emergence of virtual reality and police body camera programs, the film takes a kaleidoscopic investigation into how the reality of what we see is constructed through the tools that we use to see.
All Light, Everywhere
Director
The film explores the past, present, and future relationships between technology, vision, and power. From arcane theories of sight to the emergence of virtual reality and police body camera programs, the film takes a kaleidoscopic investigation into how the reality of what we see is constructed through the tools that we use to see.
Subject to Review
Writer
SUBJECT TO REVIEW charts the rise of the instant replay system Hawk-Eye in professional tennis, probing how the technology exposes deeper questions of spectacle, justice, and imperfect human knowledge.
Subject to Review
Self
SUBJECT TO REVIEW charts the rise of the instant replay system Hawk-Eye in professional tennis, probing how the technology exposes deeper questions of spectacle, justice, and imperfect human knowledge.
Subject to Review
Additional Photography
SUBJECT TO REVIEW charts the rise of the instant replay system Hawk-Eye in professional tennis, probing how the technology exposes deeper questions of spectacle, justice, and imperfect human knowledge.
Subject to Review
Editor
SUBJECT TO REVIEW charts the rise of the instant replay system Hawk-Eye in professional tennis, probing how the technology exposes deeper questions of spectacle, justice, and imperfect human knowledge.
Subject to Review
Director
SUBJECT TO REVIEW charts the rise of the instant replay system Hawk-Eye in professional tennis, probing how the technology exposes deeper questions of spectacle, justice, and imperfect human knowledge.
Крысы
Director of Photography
«В Балтиморе никогда не было проблем с крысами, проблемы всегда только с людьми». Посредством крыс, а также людей, которые любят их, живут с ними, убивают их, в фильме рассказана история Балтимора.
Крысы
Writer
«В Балтиморе никогда не было проблем с крысами, проблемы всегда только с людьми». Посредством крыс, а также людей, которые любят их, живут с ними, убивают их, в фильме рассказана история Балтимора.
Крысы
Editor
«В Балтиморе никогда не было проблем с крысами, проблемы всегда только с людьми». Посредством крыс, а также людей, которые любят их, живут с ними, убивают их, в фильме рассказана история Балтимора.
Крысы
Director
«В Балтиморе никогда не было проблем с крысами, проблемы всегда только с людьми». Посредством крыс, а также людей, которые любят их, живут с ними, убивают их, в фильме рассказана история Балтимора.
Руби мои деньги
Editor
Один день из жизни трех беспризорников в Восточном Конго.
Руби мои деньги
Director of Photography
Один день из жизни трех беспризорников в Восточном Конго.
Руби мои деньги
Writer
Один день из жизни трех беспризорников в Восточном Конго.
Руби мои деньги
Director
Один день из жизни трех беспризорников в Восточном Конго.
Peace in the Absence of War
Editor
A portrait of a confused city in pain. A tone-poem for a Baltimore at the juncture of unrest and healing, as the city responds to the aftermath of the death of Freddie Gray, a Black American Baltimore native, who died in police custody.
Peace in the Absence of War
Director of Photography
A portrait of a confused city in pain. A tone-poem for a Baltimore at the juncture of unrest and healing, as the city responds to the aftermath of the death of Freddie Gray, a Black American Baltimore native, who died in police custody.
Peace in the Absence of War
Producer
A portrait of a confused city in pain. A tone-poem for a Baltimore at the juncture of unrest and healing, as the city responds to the aftermath of the death of Freddie Gray, a Black American Baltimore native, who died in police custody.
Peace in the Absence of War
Director
A portrait of a confused city in pain. A tone-poem for a Baltimore at the juncture of unrest and healing, as the city responds to the aftermath of the death of Freddie Gray, a Black American Baltimore native, who died in police custody.