Klára Melíšková

An actor called Šnajdr is given an opportunity to make his debut as a director. He doesn’t think twice about leaving Prague and dashing off to Olomouc, where he is met by the grumpy director of the town’s cultural centre and his eccentric grandma, who is to be the star of his production and who's perfectly attuned to his sense of humour and mystification… A bittersweet comedy directed by Miroslav Krobot and starring Pavel Šimčík and Iva Janžurová.

Восемнадцатилетнего старшеклассника Дэниеля дразнят за накрашенные ногти. У него нет друзей, он другой, не такой как все. В походе Даниэль падает в расселину большой пещеры. В поисках Даниэля его учитель Адам (открытый гей) натыкается на ту же яму в пещере. Затерянные во тьме они ищут выход, борются за свою жизнь, а Даниэль, кажется, влюбляется в Адама.

Rouzbeh arrives in Prague, far from his troubled family life in Tehran, to research his father’s past. Visiting the flat where his father, a communist expatriate, lived 50 years ago, in the times of Czechoslovakia, he is stopped by a policewoman investigating a recent accident. The current resident of the flat, Vladimir, who turns out to be Rouzbeh’s half-brother, has fallen out the window. Discovering hidden corners of Vladimir’s life and getting closer to his soul, Rouzbeh learns a shocking truth about his father, totally contradicting the image of a hero he had about him. This puts him on the path which led to Vladimir's fall from the window.

The film chronicles the events of a village on the Czech-Austrian border from the 1930s to 1950s, where genocide occurred due to fallout between German citizens and Czechs who collaborated with the Nazi regime during the war.

Mrs. Zahrádková has a plan to convince the other co-owners of the flats to finally save the house in which they live together and which is in emergency condition.

In 1940s Prague, a former Nazi prisoner returns to run his posh hair salon and struggles with family, the rise of communism and his past.

Sisters whose husbands were arrested by the Gestapo struggle to get by with their children during WWII, while one grows close to a selfless doctor.

В этой семье три поколения женщин делают всё, буквально всё, чтобы мужья их были счастливы. В том смысле счастливы, в каком это понимают они: здоровый образ жизни, семейный круг и строгое подчинение законам «идеального брака». Женщина, хранительница очага, все знает лучше, когда дело доходит до бытовых проблем. Вообще-то она знает лучше абсолютно всё. Яну Бергеру в голову не приходит подвергать это сомнению. Живет, как у Христа за пазухой, но почему-то несчастлив. Возможно потому, что живет не своей жизнью. Смерть тестя, погубленного неумолимой заботой тёщи, заставляет его понять это – и начать действовать. Он готовит побег, вот только довольно странным и диким образом. Симулируя болезнь Алцгеймера. И хотя все быстро выходит из-под контроля, его бунт подхватывает и молодое поколение.

«Я, Ольга Гепнарова, жертва вашей жестокости, приговариваю вас к смертной казни сбиванием». Это слова 22-летней Ольги Гепнаровой, которая в 1973 году направила грузовик в группу невинных людей в Праге.

Фильм рассказывает об ангелах невысокого ранга, занятых на обыденной работе — скрашивать последний день людям, у которых не удалась жизнь. Чтобы хоть после смерти о них вспоминали с теплом. Исполнять их сокровенные желания, порой такие, что мало не покажется. Работа трудная, но она окупается, меняя к лучшему как участь живых, так и мертвых.

When not serving regulars at a pub in the middle of a sleepy northern Moravian village, thirtysomething Maruna spends time with hesitant Jura and naïve outsider Olin – or fighting with her imperious mother. Lightened with a touch of black humor, this laconic village drama is the directorial debut of the artistic director of Prague’s Dejvice Theater who gave the members of his ensemble a one-of-a-kind acting opportunity in film.

Fogi is enjoying his never ending puberty. But simultaneously Fogi is also trying to live up to his family duties and bring up Véna, his son from the first marriage. He did not get married again but lives with Jana, a post office employee. Together they have little Anicka and they all live in a flat in a small town. At first, Jana is trying to tolerate Fogi's moods, but her patience is running out. Fogi loses his job. On top of that he starts to see himself in his adolescent son and realizes with horror that Véna repeats his own mistakes. The first fights, bans and mutual misunderstandings are approaching.

A Czech journalist joins a Prague radio station what broadcasts Nazi propaganda in order to protect his Jewish wife. However, as the Nazi rule over Czechoslovakia calls for more and more collaboration, his relationship with his wife spirals downward.

Private psychologist Jakub tries to help others, but he has his own problems. Then he gets to take care of his old father which starts a lot of funny situations due to fathers starting dementia. Then this new medication appears...

Ice hockey is a Czech national obsession, and the country's victory over Russia in the 1969 World Championships, the year following the Soviet invasion, is a celebrated moment in its history. In Marek Najbrt's black comedy, the heroic exploits take place only on a black and white tv screen as a group of representative misfits gather and watch the game in a desolate village on the Czech border. While consisting of recognisable types, Najbrt's bleak portrait reveals a world of alcoholism, debt, racism, bigotry, and infidelity that trails behind the dreams of nationalism and bears little resemblance to the fantasies of the new consumerism. A clever and multi-levelled film, it provides a sharp antidote to the reconciliatory charms of the conventional Czech comedy.

Frantisek is a deaf man who has spent years in prison for the apparent murder of a man he believed was threatening his then girlfriend, Liza. Once released, Frantisek begins to search for Liza, but the task proves harder than he hoped.