José Luis Castiñeira de Dios

Rebuild 90 years in Argentina's history through the experiences of Clorindo, she Clarita, her son and granddaughter Clara Clorindo. Characters full of eroticism and the only thing they share is their blood tie, as their experiences and choices leading them to go their separate ways.

Follow the adventures of Kiss of the Spider Woman scribe Manuel Puig portrayed by Fabio Aste, who left Argentina after being persecuted for his homosexuality and settled in exile in Rio de Janiero in this intimate drama from filmmaker Javier Torre. Though life in Rio was full of romance and adventure for Manuel, the controversy surrounding him grew ever more intense, until the only way out was a trip back to his native Argentina. In the years that followed, Puig eventually made the painful decision to move to Mexico, where he spent his final days until death caught up with him at the age of fifty-eight.

Follow the adventures of Kiss of the Spider Woman scribe Manuel Puig portrayed by Fabio Aste, who left Argentina after being persecuted for his homosexuality and settled in exile in Rio de Janiero in this intimate drama from filmmaker Javier Torre. Though life in Rio was full of romance and adventure for Manuel, the controversy surrounding him grew ever more intense, until the only way out was a trip back to his native Argentina. In the years that followed, Puig eventually made the painful decision to move to Mexico, where he spent his final days until death caught up with him at the age of fifty-eight.

Cristina's life is thrown into turmoil when she is suddenly escorted from her strict Catholic school in Buenos Aires and told that she is really Sofía Lombardi, the daughter of activists who disappeared in the '70s. Questioning everything she once thought true, Cristina embarks on a journey to find her true identity. Meeting others like herself, the young girl soon discovers the real-life horrors of Argentina's relatively recent past and the nightmare that claimed tens of thousands of lives during the country's "dirty war."

Estela Canto and Jorge Luis Borges meet in 1944. She is an intelligent and beautiful woman. He, still an unknown writer, is shy and very attached to his mother. They fall in love, or at least Borges does.

Drama based on the life of Eva Peron, an obscure actress, who rose to become wife of Argentine strong-man President Juan Peron and one of the most powerful figures in Argentina until her death in 1952 at age 33.

While sick in the small town of Saldán, the General José de San Martín remembers his life and achievements

"El Pollo," a 13-year-old child in reform school, witnesses and experiences the brutalization of the guards and the other inmates.

Patagonia, Argentina, 1880s. During the Conquest of the Desert, Marguerite, the French wife of Colonel Garay, in charge of protecting a new railway, discovers that a French woman is being held captive by the local natives.

Since childhood, Raquel and Maria have been close friends. Now all grown-up, Raquel has fulfilled her dream of becoming an actress, while Maria has married a handyman, given birth to three children and runs the family household. In the wake of the Argentine military coup of 1976, Maria's oldest son Carlos is abducted. Desperate, Maria turns to her prominent friend for help. Yet the more Raquel gets involved in the search for Carlos, the more she becomes herself a target of the junta. Finally, she flees from Argentina to Berlin. Meanwhile Maria joins a group of women who investigate the fate of their disappeared relatives. In 1983, after the fall of the dictatorship, the two friends meet again.

Between 1976 and 1982 thousands of citizens were kidnapped, tortured and killed in Argentina. How do Argentinians cope with this tragedy? How do they elaborate their recent past?

Student/radical returns to Argentina after years in exile, renews his old friendships and stalks a politician from the bad old days.

The Night of the Pencils was a series of kidnappings and forced disappearances, followed by the torture, rape, and murder of a number of young students during the last Argentine dictatorship (known as the National Reorganization Process). The kidnappings took place over the course of several days beginning on September 16, 1976.

Для общины аргентинских эмигрантов в Париже танго — это образ жизни, ностальгия, символ

Juan Libonatti, a seller of fine wines, like up in the company where he works. His car, a brand new Citroen, will be an essential tool to sell more wine in less time and be able to move up. But one day it is stolen and he had not paid the insurance fee. That will be the beginning of a tragedy that will lead to self-destruction.

Directed by Nicolás Sarquís