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Emma Bird

Рождение : , Liverpool, England

История

Emma successfully auditioned for her first professional role, Needle, written by Jimmy McGovern, directed by Gillies MacKinnon when she was 17 years old (BBC, 1990). Having secured representation with Sally Long-Innes at ICM (now Independent Talent), she began a successful early career in television, most notably as series regular Maxine Price in Casualty (1992). Her experience grew in short films and features through her work with director Sandra Goldbacher in Seventeen, Piccadilly Circus by Night and The Governess, starring alongside Minnie Driver, (1997). Her notable theatre work includes The Good Hope, (adapted by Lee Hall), directed by Bill Brydon, (2002) at The Royal National Theatre, David Mamet’s Oleanna (Norwich Playhouse) and The Woods (The Finborough Theatre), and Terms of Abuse (by Jessica Townsend) at Hampstead Theatre amongst others.

Профиль

Фильмы

Гувернантка

Rebecca

Героиня этой странной истории, девушка по имени Розина, устраивается гувернанткой в дом состоятельного шотландца, мистера Кавендиша. Дом, где Розине предстоит воспитывать избалованную дочь хозяина, располагается на отрешенном от внешнего мира острове. Здесь, в темных комнатах своего особняка, мистер Кавендиш экспериментирует с новейшим изобретением своего времени — фотографией. Заинтригованная Розина, вызывается ассистировать Кавендишу в его фотографических опытах. Между девушкой и ее работодателем вспыхивает сильнейшая страсть.

Piccadilly Circus by Night

Tanya

European emigre Tanya moves to London to work as a family au pair. Still grieving for her recently deceased father and rejected by an old friend, Tanya draws closer to her employer's husband. The sights and sounds of the Capital at Christmas form a deceptively romantic backdrop, for this brief meditation on loneliness and love.

Seventeen

Short drama about a seventeen year-old girl, the lifeguard she fancies, and her older sister who he fancies.

Needle

Paula

Needle paints a harrowing picture of a Liverpool overrun by drugs, charting a young man's nightmarish descent into intravenous heroin use and AIDS and a police and political leadership incapable of the imagination or courage necessary to respond to the drug problem.