Luca Ferri

Marco Belelli, aka Divino Otelma, is a well-known Italian philosopher and television personality. He has 6 degrees and owes his notoriety to his past career as a magician, chansonnier, politician. He is also the founder of the Theurgical Order of Elios and the Church of the Living, a cult with more than 20,000 followers, in which he has the role of a self-proclaimed God. Obstructed in the first stages of its production by the Covid-19 pandemic, the film unfolds over one long year of exchanges at distance between the director and the “Divine”, through Skype conversations in which the manifold topics relating to his multifaceted existence are treated. Significant figures who have been variously connected with his earthly life are also involved in this long journey of knowledge, contributing with their precious testimonies and blurring further our understanding of such a complex and layered figure.

Marco Belelli, aka Divino Otelma, is a well-known Italian philosopher and television personality. He has 6 degrees and owes his notoriety to his past career as a magician, chansonnier, politician. He is also the founder of the Theurgical Order of Elios and the Church of the Living, a cult with more than 20,000 followers, in which he has the role of a self-proclaimed God. Obstructed in the first stages of its production by the Covid-19 pandemic, the film unfolds over one long year of exchanges at distance between the director and the “Divine”, through Skype conversations in which the manifold topics relating to his multifaceted existence are treated. Significant figures who have been variously connected with his earthly life are also involved in this long journey of knowledge, contributing with their precious testimonies and blurring further our understanding of such a complex and layered figure.

A man, inside his kitchen, is preparing his packed lunch. He has decided to visit the Brion Tomb, a monumental funeral complex designed and built by the Venetian architect Carlo Scarpa. It was commissioned by Onorina Brion Tomasin to honour the memory of her deceased and beloved relative Giuseppe Brion, founder and owner of the Brionvega company and is located in the small cemetery of San Vito in the hamlet of Altivole in the province of Treviso.

Bianca is a trans sex worker, whose life and work play out in her Milan flat. The camera follows her into her tiny realm: phone calls with clients, philosophy, sex and cigarettes, sing-songs with friends, conversations with her faraway girlfriend.

This documentary is the result of a series of visits the filmmaker makes over the course of a year to the house of Pierino, a cinephile and a fascinatingly organized man.

This documentary is the result of a series of visits the filmmaker makes over the course of a year to the house of Pierino, a cinephile and a fascinatingly organized man.

This documentary is the result of a series of visits the filmmaker makes over the course of a year to the house of Pierino, a cinephile and a fascinatingly organized man.

Мужчина, воплощение Дон Кихота, одержимо убирается в квартире девушки, воплощении Дульсинеи. Она ест, читает, красит ногти, курит, одевается и раздевается, как будто Дон Кихота там нет и между ними нет отношений. Он крадёт некоторые её вещи, пряча их в полиэтиленовые пакеты. Эти объекты фетиша уничтожаются словно жертвы его маниакальных припадков.

Мужчина, воплощение Дон Кихота, одержимо убирается в квартире девушки, воплощении Дульсинеи. Она ест, читает, красит ногти, курит, одевается и раздевается, как будто Дон Кихота там нет и между ними нет отношений. Он крадёт некоторые её вещи, пряча их в полиэтиленовые пакеты. Эти объекты фетиша уничтожаются словно жертвы его маниакальных припадков.

Мужчина, воплощение Дон Кихота, одержимо убирается в квартире девушки, воплощении Дульсинеи. Она ест, читает, красит ногти, курит, одевается и раздевается, как будто Дон Кихота там нет и между ними нет отношений. Он крадёт некоторые её вещи, пряча их в полиэтиленовые пакеты. Эти объекты фетиша уничтожаются словно жертвы его маниакальных припадков.

In a desert and hostile paradise, between mountains of sand and solitary camels in perpetual journey, life is renewed with a promise of love in the shade of a lone tree. Adam and Eve have a chance. The last chance to heal and create a new progeny of more decent human beings.

A pair of lovers spend together a century old while the mode, objects and films are followed in a slow and inexorable descent toward the horror. Their obsession with octagonal knob of the coffee and the anonymous design will accompany them along the passing of decades. Aging and slowly losing his strength, but never the clarity, prefer to exclude the world, obscuring and sealing the shutters of their homes and turning in on themselves, leafing through old encyclopedias of extinct animals.

An old man takes his beloved dog to a severe hospital run by a Russian doctor who looks like Adorno. His quadruped’s blood has to be cleaned by some automated machines. During his long and draining wait, he observes the medical procedures and all the assistants’ actions reflecting on the pleasure he feels in relying on the automatisms of the mechanical procedures.

Franco Piavoli in his world.

Franco Piavoli in his world.

Franco Piavoli in his world.

In Tottori, Japan, the smallest desert place in the world, where Hiroshi Teshigahara directed his film “Woman in the Dunes” (1964) every year more than two million people come to visit the place, and through their natural movements reflect constantly changing nature of this unusual landscape and its history.